To all our visitors and researchers who are enduring lockdown with the rest of the country, first and foremost, we hope you and your loved ones are safe and well in these difficult times.
While the History Centre is closed we wanted to reach out and let you know that the world of heritage is still accessible in many forms online. In the first of a series of blogs we highlight all that is available on our website and draw your attention to external websites that you can connect with from it. This is a generic overview and we will be publishing more detailed blogs on specific resources and how to best use them at home in due course.
Using the ‘Our Services’ tab you will unearth huge amounts of useful research tips and tools within the Archives section, from tips for the advanced family historian to how to research LGBT history. You will also see links to information which may be of interest, such as the work of an archivist – discover what we do behind the scenes (spoiler alert, we do not spend all day reading in the basement looking at dusty documents). There really is too much to highlight in just one blog post, so head over to the Archives page and explore for yourself.
In the Local Studies section of the website you will now find video recordings of County Local Studies Librarian Julie Davis conducting a virtual memory box reading group. Simply follow this link and then choose from the sessions by following the blue links listed after each session. Enjoy!
In this section there is also a link to the Wiltshire Community History website which is a wealth of information in itself, providing information on 261 Wiltshire Communities. This is well worth checking out for anyone interested in Wiltshire as a whole, but especially for more specific locations. It is arranged very simply in alphabetical order by location and every community page already has certain basic information, such as early maps, local administrative bodies, population from 1801, newspapers for its area, lists of local maps, the registration district, information on buildings and links to other sites of interest, plus a thumbnail history of the parish.
Of course our archive collection, the largest source of information in the History Centre, is locked away in the strong-rooms and is inaccessible for the foreseeable future. However our archive and library online catalogues remain accessible. The archive catalogue will give you a descriptive overview of our collections, but please be aware you cannot view the documents online. With that in mind, make a note of the reference number of any items you may wish to consult in the future once we reopen. If you are looking for new books or magazines to read, you can search the library catalogue. If you are not already a member you can sign up to access eBooks and eMagazines. The library service is also developing more online resources, such as poetry readings; keep an eye on their website for details.
Within the ‘Explore’ tab of the History Centre’s home page there are links to fabulous websites for all forms of local history. For those of you interested in researching local maps follow the link to Know Your Place West of England, which has historic maps for all participating counties in the region, though the Wiltshire map is available here.
It is an interactive website that layers historic maps of Wiltshire, which allows for easy map comparison and is useful for seeing how your local area developed over time. Watch this space though, as we are working on adding more useful information to it in the near future.
The Creative Wiltshire link is also well worth having a browse at, the project aim was to collect and celebrate the work of the county’s creative people, and the latest blog tells the story of the project as it reaches its conclusion.
This really is just a starter and, as mentioned above, there is so much more available on and via the website. So, whether you are a keen researcher already, or new to this heritage game then have an explore but also keep an eye out for the next in this series of blogs highlighting accessible heritage in Wiltshire during lockdown. Also follow us on Twitter and Facebook for instant updates.
As an archaeology student it is beyond useful to have a resource like the History Centre so easily accessible, so when I was offered the chance to undertake a work placement with the Archaeology Service I jumped at the opportunity to get a better understanding of the full range of what the Archaeology Service does and what the History Centre has to offer.
Over my time at the Archaeology Service I was given a number of duties to complete from research to cataloging and many other things in between.
One of my main roles during my time here was to research the Iron Age Hillforts of Wiltshire. This is a topic I am particularly interested in and I have been studying Iron Age communities for the last year. While at the History Centre I was asked to create some information boards about the hillforts of Wiltshire as well as a map showing where they all were in the county. Having access to the local studies library was a huge help with this research, having over 25,000 books in the collection it wasn’t difficult to find a lot on the Hillforts in Wiltshire. Even better the library also had every volume of the Wiltshire Archaeological and Natural History Magazine so I could look at excavation and research reports on Hillforts going as far back as 1853!
A lot of the work I was doing during my placement involved using the HER or Historic Environment Record. The HER is a detailed record of local archaeological sites and finds, historic buildings and historic landscapes which is regularly updated. In my research into Wiltshire’s hillforts the HER was incredibly useful as an information source but also there were some records that I found that needed to be added showing just how the HER is constantly being improved and added to.
As well as the wealth of knowledge contained in the HER and Local Studies library, the Archaeology Service also has hundreds if not thousands of aerial photographs and files on each of OS map square in the county containing pieces of unpublished information, maps, letters and photographs of archaeology around the county, part of my job was to catalogue what was in these map square files which was incredibly interesting as there were all manner of amazing maps and hand drawn sketches going back to the 1960s.
Although my time with the archaeology service was ultimately cut short because of the Coronavirus Pandemic I still got an invaluable insight into what the Archaeology Service do, from assisting the County Archaeologists with determining archaeological potential for planning applications to going out on site visits to building projects where archaeological work had uncovered Roman and Medieval features in an unsuspecting field.
The Archaeology Service also works closely with other areas of the History Centre which I was lucky enough to be introduced to, such as the conservation labs who were working on conserving a large hoard of Roman coins, the archives who have thousands of records about Wiltshire going back hundreds of years and containing amazing maps, photographs and even Henry VIII marriage settlement to Jane Seymour. The Wiltshire Building Record also works closely with the Archaeology Service, they work to record the buildings of Wiltshire collecting a wide range of documents, plans and photographs on thousands of buildings across Wiltshire, during my time at the Archaeology Service I was actually able to assist the WBR by identifying a number of buildings in the Parish of Southwick which had yet to be identified.
The History Centre is an invaluable resource for research into local history (and for me also Pre-history) and it was a brilliant placement that has significantly widened my knowledge in the work of County Archaeologists and the HER. Having worked on archaeological sites in Wiltshire, working in the Archaeology Service was almost like getting a behind the scenes tour of the work that goes into protecting and educating people on the county’s archaeology. I have no doubt that I will be back to the Centre in the near future for my own research and taking full advantage of the amazing resources housed there.
I have been working as a Conservation Assistant at the WSHC for nearly a year, and a large part of my role involves administration and financial processing. However, one of the more interesting and slightly unusual aspects of the job is the hands-on work I get to do as part of the Conservation and Museums Advisory Service here at the centre, and I have recently undertaken training to use the x-ray machine which we have in the lab. This is a complex process which requires stringent processes, records and maintenance checks to ensure the machine is used safely and functioning correctly. Regular use of the equipment is key to building experience and a ‘feel’ for the items being investigated and how to get the strongest images.
How it works
Inside the x-ray machine is an x-ray tube. A heated filament called a cathode sits inside the tube and accelerates high energy electrons at a metal target anode, usually made of tungsten, as the electrons strike the anode they interact with the atoms. In this process, which is called Bremsstrahlung (braking radiation), the electrons lose much of their energy and a photon x-ray is produced. X-rays are electromagnetic radiation of a short wavelength and high frequency invisible to the human eye, but possible to record on photosensitive film, known as x-radiographs.
The object to be x-rayed is placed on top of a cassette which holds the photosensitive film. On exposure the x-rays will penetrate through the object leaving the image captured on the film. The x-rays are partially absorbed, “attenuated”, by the denser materials such as bone or metal and pass more easily through soft material such as soil or skin. Therefore, the strength of the x-ray (KV) and the length of time the object is exposed for is adjusted for the type of material, size and condition of the item.
The photographic films then require a wet, chemical process similar to that used for black and white photographic film with a developer solution to reveal the image, followed by a fixer to secure the image and a wash to remove all chemical residues. This process takes around an hour and half and must be carried out in the dark room, with only red light, which can be a little disorientating at first!
Digital or computed x-radiography is well established and allows greater speed in reviewing and manipulating images. CMAS are actively working to move to digital, so watch this space!
How X-radiographs are used in conservation
X-radiography produces images on a 1:1 scale which allow the conservators to investigate the structure, manufacture or identity of an object. Small dark bubbles can indicate casting processes, the distinctive herringbone structure of pattern welding or wave formations of damascening are often clearly visible in x-rays, even when the surface of a blade is severely deformed.
Moreover, x-rays pass more easily through deteriorated materials and voids, these areas will appear darker grey or black compared to the brighter white of more stable areas. This can show up pitting, cracks and breaks assisting in the accurate assessment of the condition of items and their longer-term conservation requirements.
X-radiography is a non-destructive way of retrieving and revealing information and so it is commonly used in the primary stages of investigation.
History is fun, but it’s even more fun with archives which provide us with that tangible connection to fascinating stories of amazing people and places who have shaped our history.
And this year we have so many reasons, if reasons were needed, to go searching through the Wiltshire & Swindon Archive to see just how connected the county is to some of the major national commemorations that are taking place in 2020.
Already garnering national attention are the 800th birthday celebrations for Salisbury cathedral and the city of Salisbury. And Salisbury can also lay claim to ties with another 800th anniversary – that of the unveiling of the shrine to St Thomas Becket at Canterbury cathedral. This year is also the 850th anniversary of Becket’s murder.
In a busy year Wiltshire will also be marking the bicentenary of Florence Nightingale’s birth. Most people will know of her as ‘the lady with the lamp’ – a phrase and image made famous in her lifetime following her pioneering work during the Crimean War – but how many know of her connections to Wilton House and the Pembroke family?
Florence was born in Florence, Italy, on 12th May 1820 and named after the city of her birth. (Her older sister Frances Parthenope was named after her birthplace of Parthenope in Naples.) The family moved back to England in 1821 and Florence grew up at Embley Park in Hampshire, just 15 miles from Salisbury. She wanted to be a nurse from an early age and had hoped to take up the career at Salisbury Infirmary – then in Fisherton Street – but her family opposed the idea, believing nursing to be an inappropriate activity for a young woman of her social standing.
She spent much of her twenties travelling and it was in Rome, in November 1847, that she met Sidney Herbert, the younger son of the Earl of Pembroke, and so began a lifelong friendship that was to prove so important to her work.
In 1853 Florence began her nursing career as the superintendent of a women’s hospital in London but it was the outbreak of war in the Crimea in 1854, and reports of horrendous conditions endured by sick and injured soldiers, that propelled Florence into spotlight.
With the support of Sidney Herbert, the minister for war, Florence Nightingale led a group of nurses to the Crimea and so began her campaign to improve conditions at Scutari hospital. Her work, alongside the work of a government Sanitary Commission, transformed the survival rates for the soldiers treated at Scutari.
Accounts of her work in her own words and the words of others are held here at the Wiltshire & Swindon History Centre and form part of the Pembroke archive (WSA 2057). There are two series of correspondence and documents – 2057/F4 and 2057/F8 – which include letters sent by Florence to Sidney Herbert and others.
In a letter written from Scutari in January 1856 (WSA 2057/F4/64), Florence attempts to explain to “dear Mr Bracebridge” how she will use the money given to the newly established Nightingale Fund. “The people of England say to me by their subscriptions ‘We trust you, we wish you to do us a service’. No love or confidence can be shown to a human being greater than this – and as such I accept it gratefully…” She goes on to say: “And if I have a plan in me, which is not battered out by the constant ‘wear and tear’ of mind and body I am now undergoing, it would be simply this – to take the poorest and least organised hospital & putting myself in there, see what I could do…”. She concludes that she is “overwhelmed at present not with plans but work.” And adds that she wishes she could say “how much I feel the love & confidence of the people of England, in whose service I have lived, so I shall die.”
Florence’s work, and that of her nurses, had made headline news in Britain and the public began giving money for a gift honouring her efforts, but so much money was given that the Nightingale Fund was created, with her friend and support Sidney Herbert its honorary secretary.
Florence’s uncertainty about the details of what to do with the fund did not last long and in July 1860 the first school of nursing was opened at St Thomas’s Hospital in London. As well as transforming and professionalising the training of nurses, Florence also influenced the design of new hospitals, introducing the eponymous Nightingale Wards.
Following on from her work during the Crimean war, Florence campaigned for improved sanitary conditions at home and went on to work on improving conditions for the British army in India. Florence was an effective social reformer and campaigner, making the most of her friendship with Sidney Herbert and not afraid to use the media of the day. But she was also careful to support her work with evidence, especially statistics, and became the first woman elected to the Royal Statistical Society.
The Florence Nightingale letters in the Pembroke archive, and letters written by others about Florence’s work, are a fascinating insight into one of Britain’s most iconic Victorian figures and it is fitting that we mark the bicentenary of her birth on 12th May this year.
Stratford Tony is a small village 4 ½ miles from Salisbury. The river Ebble flows through it, and the line of the ancient Roman road known as ‘Icknield Street’ passes close on the west side of the village. The most notable occupant of Stratford Tony was the impressionist painter Wilfrid de Glehn, who lived at the Manor House from 1942 until his death in 1951. The population now only amounts to around 50 people.
Last year Wiltshire Buildings Record was asked to investigate the old rectory, now a private house. The house presented a decorous early Georgian front with views across the lawns to the river below. As ever, we looked beyond the polite elevation to the hidden corners and roof spaces to reveal a very different story. Remains of a c1500 timber-frame were found embedded in replacement stone walls and in the roof which suggested that this was a much more humble farmhouse. Grabbed by the intrigue glands, our researcher Louise did what she does best, which is to squirrel out those hidden facts embedded in layers of old parchment. It turns out that it was quite possibly a grange farm for the Abbey of Lyra in Normandy (nothing to do with His Dark Materials or the constellation of stars!) and then the Priory of Sheen in Richmond, London.
Its transformation to posh rectory happened in the later 16th century when Lawrence Hyde acquired the advowson (the right to recommend a clergyman to a ‘living’ in the parish) from the Crown in 1560. Lawrence Hyde was part of the influential Hyde family of Wiltshire, he had benefitted greatly from the acquisition of land and property following the Dissolution of the Monasteries. He held a lease from William Earl of Pembroke, of Wardour Castle and Park around the time he was granted the advowson at Stratford Tony. Members of the Hyde family held it for over 126 years up to 1686, when it then transferred to Edward Fawconer of Sarum.
By 1671 the glebe terrier noted a substantial rectory house comprising …A mansion house, a brew house, a wood house, a barn, a stable, a fodder house besides some skillings (cowsheds), an orchard, 2 gardens…. Lawrence and his son Robert Hyde installed three members of their own family as clerks at Stratford Tony. It is very likely, the patronage of the Hyde family resulted in substantial investment in the parsonage house, including the addition of a smart Georgian wing. This was extended further in 1791 by Reverend Stockwell, the rector at that time, who commemorated it with a datestone.
In 1888 William and Albert Burden, with the help of their father Thomas, founded ‘Burden Brothers’ and began manufacturing church and turret clocks. Their showroom was at 101 Fisherton Street, Salisbury, and they had a factory at 155 Wilton Road, but the factory had to be transferred to Tollgate Road after being destroyed by fire in 1899. During 1902 they sold the clock business to Williamson and Son, who traded as the English Clock Company and began to manufacture motor engines. Percy Dean, a wealthy landowner from Chitterne, supplied the initial capital of £3,800 and founded ‘Dean and Burden Brothers’ – Motor Engineers. ‘Scout’ became their product name in 1905. Percy Dean owned a car from 1903, a Georges Richard which was registered in December 1903; this date is misleading, because The Motor Car Act of 1903 required owners to register all new vehicles as well as existing ones. Percy Dean’s Georges Richard could have been used at any point prior to this date. He became a test driver and director at Motor Engineers, Dean and Burden Brothers. They moved to new premises called the ‘Excelsior Works’ in Friary Lane and began making engines for boats. During 1905 boats fitted with their engines started to make their mark, winning time trials and having success at regattas. They were already fitting their engines to bicycles, AM-65 was registered in December 1903 to a Sidney Eli Silverthorne, a watchmaker who was employed by Scout to wind and maintain clocks in the surrounding villages. The 1906 price for a Scout motor cycle was £45, a mid-range price for the time. The company’s interest in motor cycles and marine engines was not maintained and eventually phased out in favour of motor car manufacture.
The Scout Motor Car
A car was entered for the Isle of Man TT in September 1905, but unfortunately it crashed a week before the trials; the crash was reported in ‘The Autocar’ of September 1905. They managed to assemble a second car which was registered AM-702 on 4th September 1905 and arrived just in time for the trials. It started the Douglas Tourist Trophy Race with forty-one others, unfortunately it ran out of petrol 23 miles before the finish. The company was now employing around 80 men who worked 50 hours per week and paid between 2½d and 7½d per hour: about £0.80 and £2.45 today’s equivalent. Each car took 6 to 8 weeks to build and cost between £285 and £550. The Friary proved to be too small for the quantity of orders, so in 1907 the company moved to a new factory at Churchfields on Bemerton Road, now occupied by Sydenhams Timber and Builders Merchants. By 1907 thirteen cars had been registered in Wiltshire. This year saw the arrival of a ‘Landaulette’ closed body, up until this point all the bodies were open. Bodies were mostly made off-site by coachbuilders and assembled in the factory.
1909 saw the introduction of small commercial vehicles, by now the company was well established with a good reputation for quality and reliability. In 1911 Percy Dean left for British Columbia in Western Canada, which dealt a major blow to the company as he was a leading force. Mr Clifford Radcliffe who had been with the company since 1907 became Director to replace Percy Dean. 1912 saw record sales figures with 31 cars registered in Wiltshire alone. The company now employed over 150 men. 1912 saw the introduction of one of the first privately-run motor bus services in the country by Messrs J. Hall and Son of Orcheston trading as Shrewton Motor Services. The service connected the surrounding villages and Salisbury, each bus could carry 20 passengers and their luggage. Two years later the Wilts and Dorset Motor Services was founded with five of their six buses using Scout chassis.