We recently spent an afternoon in the village of Sherston with work experience students looking at the development of the village. A prominent feature is the Rattlebone Inn, standing at the corner of the market place of what was a planned medieval town. The inn sign shows a Saxon warrior wielding an axe, commemorating the legend of John Rattlebone.

 
F0018  The Rattlebone Inn. The building dates from around 1700 when several new houses were built in Sherston.

We must turn now to John Aubrey, who recorded the following piece of doggerel that was used by old women and children in the mid 17^th century;

            “Fight well Rattlebone,

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The Festival of British Archaeology, an annual nationwide event, takes place this year from Saturday 16 until Sunday 31 July.  The Archaeology Service are keen to build on the success of their events last summer and are running two further days for the public this year.  All events in The Festival aim to promote archaeology and are usually very well attended. To book your place or to find out more information, please see the contact details below via 'read more'.
 

Mere Castle and White Sheet Hill – Guided Walk

The first event is an exciting guided walk from Mere Castle, which is located just north of Castle Street in the village of Mere.  Mere lies at the extreme south western tip of Salisbury Plain, close to the borders of Somerset and Dorset.  The walk takes in the medieval castle and it’s adjacent Bronze Age round barrows as well as the prehistoric monuments of the down edge.  Surrounded by an incredibly beautiful landscape, the walk will continue across to the spectacular Neolithic Causewayed Camp of White Sheet Hill.

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I feel I can safely say that almost no town, village or hamlet in the county has been untouched by fire at some point during its history. It must have been an ever-present fear for every community; all that was needed was one little spark. Barns and hayricks were often to be found in the proximity of dwellings, and fire could quickly spread…

 
Ramsbury Fire Brigade attending a house fire in Oxford Street, Ramsbury, early 20th century
Ref: P6106

All houses were constructed of flammable materials, with thatch roofs being particularly vulnerable. When added to this the presence of naked flames, it presented a high degree of risk to person, property and livelihood.

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Mummers’ plays were an important part of Christmas for many agricultural labourers in the 19^th and early 20^th centuries. These seem to be first recorded in the mid 18^th century and although there are medieval precedents the connections between the two are uncertain. The later ones provided an opportunity for poorly paid labourers to make some extra income by taking their play around the houses of local farmers and gentry where they would normally receive food, drink and some money.

The characters included a hero, often St. George or King George, his adversary, often a Turkish Knight, a doctor, a fool and a narrator, often Father Christmas in later versions, and a character who collects the money at the conclusion. Normally the Turkish Knight is killed by St. George and revived or resurrected by the doctor. There are many elements in the plays, both pagan and Christian and the plays and the names of characters may have changed from generation to generation.

The Salisbury Mummers, c. 1932
Ref: P7940

The plays, normally each village would have its own version, were kept alive by ordinary people who had an interest in being able to supplement their wages once a year. Many did not survive the First World War although in Wiltshire mumming plays were still being performed at Alton Barnes in 1930 and at Shrewton in 1936.

This year an adapted version of the Limpley Stoke Mummers’ play is being performed as the Peaceful Gudgeon Mummers Play on Saturday 18 December at 7.00 p.m. at St. Michael’s Without, Broad Street, Bath. Please 'read more' to find out more'...

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A few weeks ago I visited this small village with Dr Alex Craven, who is researching it for the latest volume of the Victoria County History. I was invited along in my capacity of building archaeologist. The village is found just off the A30 Shaftesbury to Salisbury road. Blink and you miss it. It was obviously once a much more bustling community; Alex found that instead of one long village street with a couple of lanes off, there were once parallel streets. The street near Compton House was removed for the convenience of the Penruddockes, Lords of the Manor, to improve the view! Since then it has lost its pub (the King’s Elm) and latterly the village shop. Silence now reigns, punctuated only by the muted sound of passing traffic from the main road and sheep bleating. It could be oppressive to the average townie, or heaven, depending on your persuasion.

 
The Cemetery in Compton, which contains the graves of a number of ANZAC troops who died of influenza in 1919. 


Look down the street towards the church and the manor, which lie close together secretively behind high walls, and you will see quaint little houses of the local greensand covered in thatch, or a later replacement for it. A steep bank on one side lours over the street, and green wooded hills on the far side of the pleasure grounds to Compton House add to the sense of seclusion. The interiors of some of the houses that the owners kindly granted access to were fascinating: Combe House dating from the later 17^th century retained an original stair, an insanely steep, tortuous thing winding around a central newel post and rising to the attics. Climbing on all fours is the natural mode of ascent, a fact that the present owners, now into their retirement, no longer find attractive. Well Cottage is dominated by a large hearth taking up almost one entire wall. Now arranged with flowers, knick-knacks and pictures, the heat and light from the fire would once have been an important focus for the household. The present modern kitchen is now tucked away at the rear of the house, in a lean-to. Time moves on, even in sleepy Compton Chamberlayne, but the absence of many of the sounds of civilisation contribute more to the feeling of timelessness than more ostentatiously ancient places like Lacock, with its hordes of tourists.

Dorothy Treasure

To view additional images of Compton Chamberlayne, please go to:

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A few weeks ago I visited this small village with Dr Alex Craven, who is researching it for the latest volume of the Victoria County History. I was invited along in my capacity of building archaeologist. The village is found just off the A30 Shaftesbury to Salisbury road. Blink and you miss it. It was obviously once a much more bustling community; Alex found that instead of one long village street with a couple of lanes off, there were once parallel streets. The street near Compton House was removed for the convenience of the Penruddockes, Lords of the Manor, to improve the view! Since then it has lost its pub (the King’s Elm) and latterly the village shop. Silence now reigns, punctuated only by the muted sound of passing traffic from the main road and sheep bleating. It could be oppressive to the average townie, or heaven, depending on your persuasion.

 
The Cemetery in Compton, which contains the graves of a number of ANZAC troops who died of influenza in 1919. 


Look down the street towards the church and the manor, which lie close together secretively behind high walls, and you will see quaint little houses of the local greensand covered in thatch, or a later replacement for it. A steep bank on one side lours over the street, and green wooded hills on the far side of the pleasure grounds to Compton House add to the sense of seclusion. The interiors of some of the houses that the owners kindly granted access to were fascinating: Combe House dating from the later 17^th century retained an original stair, an insanely steep, tortuous thing winding around a central newel post and rising to the attics. Climbing on all fours is the natural mode of ascent, a fact that the present owners, now into their retirement, no longer find attractive. Well Cottage is dominated by a large hearth taking up almost one entire wall. Now arranged with flowers, knick-knacks and pictures, the heat and light from the fire would once have been an important focus for the household. The present modern kitchen is now tucked away at the rear of the house, in a lean-to. Time moves on, even in sleepy Compton Chamberlayne, but the absence of many of the sounds of civilisation contribute more to the feeling of timelessness than more ostentatiously ancient places like Lacock, with its hordes of tourists.

Dorothy Treasure

To view additional images of Compton Chamberlayne, please go to:

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Bribery, corruption, intrigue, rotten boroughs and riots …oh dear, that will be Wiltshire’s parliamentary elections in eighteenth and nineteenth century! Present events always give us an opportunity to take the long-view and here at the History Centre we have a range of resources on the political history of the county and borough, from excellent accounts published in the Victoria County History for Wiltshire to election squibs, poll books and original documents.

'The Antiquities of Malmesbury', described as 'A parliamentary election, as lampooned in 1792' in VCH Wiltshire Vol. 14, opposite p.221 (our Ref: P41146).

Wiltshire’s early claim to political fame was the impressive size of its parliamentary representation. Until 1832 it elected two Knights of the Shire (representing the whole county), two MPs for Salisbury, and two burgesses for each of its 15 boroughs, a grand total of 34 seats. Only Cornwall had higher. This was especially impressive given that many of the boroughs were the size of a village, and few of their residents could vote.  The most notable, of course, was Old Sarum, which retuned two MPs and in 1768, it is claimed, had an electorate of, er…one, though usually could count on seven. Other small boroughs included Great Bedwyn, Cricklade, Downton, Heytesbury, Hindon, Ludgershall and Wootton Bassett. Yet other towns like Bradford on Avon, Corsham, Trowbridge, and Warminster could not send representatives to parliament. To find out about the great political contest of 1818 and Marlborough making the national news in 1832, please 'read more'...

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You can learn a lot just by walking around a village, thinking about how it evolved and picking up clues from remains on the ground and in buildings. If you looked at both old and new maps before your walk you’ll make even more deductions. Most of our Wiltshire villages date from Saxon times, although some are on earlier settlements; again most have Saxon names and the study of street and field names can also be very rewarding. (see The Place-names of Wiltshire by J.E.B. Gover, 1939; and English Field Names by the appropriately named John Field, 1989)

On 18^th March at 2.15 the History Centre afternoon lecture will be Looking at Villages with Michael Marshman, who will talk about some of the skills that help you to become a landscape detective. Apart from his day job at the History Centre Michael has been writing the Village Life articles for Wiltshire Life for the last eight years! Some tickets are still available (Tel. 01249 705500).


Lacock [F0018] A 15^th century cruck building showing where the roof was later raised to allow the insertion of an upper floor.
 
All our villages are different and can be one of a number of types apart from the nucleated, linear or agglomerated that we may remember from geography lessons. Some villages, such as Shrewton, can be several medieval villages that have grown into one; these are known as polyfocal villages but others, such as Inglesham, may have shrunk and be much smaller than they were in earlier times. In others, like West Ashton, a landowner has cleared the original village from the proximity of his manor house and rebuilt it further away.

 
Steeple Ashton [F0045] The village green contains the market cross of 1679, when an attempt was made to revive the market, and the blind house (lock up) of 1773. Indications of the market site and of the hundred court of Whorwellsdown
To find out more, please 'read more'...

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Whilst the snow still lay on the ground I, and a couple of volunteers, made a trip out to the east of Wiltshire, almost on the Berkshire border, to Shalbourne. Our job this time was not to look at any listed buildings, but to scrutinize a couple of barns at Ropewind Farm on the Rivar Road.
Shalbourne is a quiet village mostly filled with neat, detached houses set back on leafy lanes. The agriculturalist Jethro Tull lived here at Prosperous Farm, but Shalbourne was also briefly the home of Karl Parson, a stained glass artist who was apprenticed to Christopher Whall, a leading light in the Arts & Crafts Movement. He helped Whall to illustrate Stained Glass Work (1905) and was involved in designs for Cape Town Cathedral (1908), Pretoria (1909-10) and for many churches in the USA. He later designed some of the stained glass in St Michael’s parish church in Shalbourne.

 
Ropewind Farm

Parsons came to live in Shalbourne between 1930 and 1933, setting up a studio at Ropewind Farm where he converted a mid-18^th century 3-bay barn, adding a large, porch-like window to let in natural light on the north side. He also incorporated a small granary on rather unusual brick and timber staddles into a larger purpose-built storage building and garage, giving access directly from Rivar Road. The house he lived in adjoined the site. He was forced to return to London through ill-health in 1933 and died there the following year. 'Read more' to find out about the farm's more recent history...

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Here on the helpdesk at the History Centre we offer help to many of our visitors who are either unsure of using the census online or are having problems tracing their ancestors when using it.



The Helpdesk

During our many hours spent giving help and guidance we have spotted a few common problems encountered by our visitors. We thought it would be good to share our knowledge with those of you who may also be experiencing difficulties. Hopefully some of the tips will be useful and give you some fresh ideas, encourage you to keep looking and with luck, maybe even solve those tricky problems once and for all!

Why are only half my family on the census page?

The household will continue on the next page. Click on the ‘Next’ icon at the top of the screen and the next page will be shown.

 
Why can’t I find my ancestor on a particular census?

Sometimes names have been transcribed incorrectly. Try using the names of other family members or cutting down the amount of information used on the search page, for instance just putting the county down under residence or putting no residence and just using the place of birth if you know it. The description of the head of the household may be misleading; the true head may have been absent on the night the census was taken. If the wife is classed as ‘married’ rather than ‘widow’, then this is probably the case. Read on to find out more...

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