The Wiltshire and Swindon History Centre held its 4th annual Open Day and the theme this year was the Medieval Period. Along with Broad sword demonstrations, helmet making and documents from the Archives set out on display, the Archaeology Service produced an exhibition on the medieval castles of Wiltshire.

The word Castle is derived from the Latin word castellum and before that castrum, meaning fortified place. The earliest examples appeared in the middle ages and were constructed from earth and timber, but these were soon superseded in stone. They acted as statements of might and force, compared to those of the later medieval era when fortifications and defence were replaced by opulence and comfort - a statement of wealth and power of a very different kind.



An 18th century drawing of the Marlborough Mount

Of the various types, Marlborough Mount is a classic example of a Motte and Bailey, becoming a royal residence during the reign of William the Conqueror. Little is known about the origins of the mound, or motte, with one theory suggesting it may yet prove to be similar in date to the nearby Late Neolithic Silbury Hill. Future research may unravel its mysterious past.

Old Wardour Castle, with its impressive surviving ruins, is situated three miles from Tisbury. Unique and unusual in its hexagonal design, it was influenced by the French chateaux of the time, and its purpose was as a lavish home more than a fortification. This was brought into sharp focus with the determined efforts of Lady Arundell to defend her home during the English Civil War.  In 1643, with just 25 men to protect her and her castle, she held out for three days against a Parliamentarian army of over 1000 soldiers, only surrendering once she had obtained guarantees of safe passage for her family and staff. Incidentally, that original surrender document is held here at the History Centre.

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This week I was asked to look at King John’s hunting lodge in Lacock. As might be expected from its position next to St Cyriac’s Church this rather unprepossessing building, now a tea-room, was likely to be a building of some importance. Documentary research so far has been unsuccessful in establishing the early history, so it is not known for certain whether King John enjoyed forays into the forest of Melksham from this spot. Lacock was only a small settlement when the Conqueror took his Domesday survey. The village seen today is supposed to have been planted or planned by Ela, the first Abbess of Lacock, which itself was situated at this previous settlement.

 
The Hunting Lodge

The front of the lodge building is of earlier 18^th century appearance in a comfortable, cottagey style, having a rubblestone construction with stone mullioned windows. The upper floor windows peep forwards from a deep tiled roof. The proprietor, Mrs Vaughan, lives in the Lodge and keeps her tea-room in the old stable at the rear. The stable itself is 19^th century in date but the lodge holds all the early interest. A heavy timber cross-frame seen in the entrance hall is all that is left of 13^th century two-storeyed timber building. One pointed-arched doorway of a group of 4 remains today. It must have once led into a now-vanished buttery or pantry, with the upper pair of doorways leading into bed-chambers or solar. The ground level has also since risen so one can imagine mediaeval ghosts passing through the doorway up to their knees in concrete, perhaps dragging a deer carcase into the larder. Please 'read more'...

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Whilst the snow still lay on the ground I, and a couple of volunteers, made a trip out to the east of Wiltshire, almost on the Berkshire border, to Shalbourne. Our job this time was not to look at any listed buildings, but to scrutinize a couple of barns at Ropewind Farm on the Rivar Road.
Shalbourne is a quiet village mostly filled with neat, detached houses set back on leafy lanes. The agriculturalist Jethro Tull lived here at Prosperous Farm, but Shalbourne was also briefly the home of Karl Parson, a stained glass artist who was apprenticed to Christopher Whall, a leading light in the Arts & Crafts Movement. He helped Whall to illustrate Stained Glass Work (1905) and was involved in designs for Cape Town Cathedral (1908), Pretoria (1909-10) and for many churches in the USA. He later designed some of the stained glass in St Michael’s parish church in Shalbourne.

 
Ropewind Farm

Parsons came to live in Shalbourne between 1930 and 1933, setting up a studio at Ropewind Farm where he converted a mid-18^th century 3-bay barn, adding a large, porch-like window to let in natural light on the north side. He also incorporated a small granary on rather unusual brick and timber staddles into a larger purpose-built storage building and garage, giving access directly from Rivar Road. The house he lived in adjoined the site. He was forced to return to London through ill-health in 1933 and died there the following year. 'Read more' to find out about the farm's more recent history...

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