On Tuesday 1^st May the History Centre teams were invited to join our colleagues from the Wiltshire Victoria County History (the editors are also based at the History Centre) in their promotional tent on The Close, Salisbury Cathedral, for the celebration and the visit of Her Majesty Queen Elizabeth II on her diamond jubilee. Each community Area, plus organisations like us, had a jousting tent in which we displayed and presented the best of our county’s heritage.

 
The team tent

We decided to add the occasion by delivering a series of ten-minute talks entitled the ‘Salisbury Tales’, curious tales from Wiltshire’s History, which were repeated throughout the day. It also encouraged us to see how many people we could fit into our tent!

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Some months ago an enquirer brought to my attention an unusual addition at the front of one of our parish registers. It was an 18^th century cure for mad dog bites, along with a receipt for the bite of a mad dog, ‘Brought from the East-Indies by Sir George Cobb Bart.’, dated 9^th July 1759. I found it fascinating and wondered what other weird and ‘not quite’ so wonderful cures and remedies were hiding away in our collection. I found the subject so fascinating that I have waxed lyrical, and I hope you will find it so, too!

‘An Infallliable Cure for the Bite of a Mad-Dog’ in the Beechingstoke Parish Register, 1738-1812

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Mummers’ plays were an important part of Christmas for many agricultural labourers in the 19^th and early 20^th centuries. These seem to be first recorded in the mid 18^th century and although there are medieval precedents the connections between the two are uncertain. The later ones provided an opportunity for poorly paid labourers to make some extra income by taking their play around the houses of local farmers and gentry where they would normally receive food, drink and some money.

The characters included a hero, often St. George or King George, his adversary, often a Turkish Knight, a doctor, a fool and a narrator, often Father Christmas in later versions, and a character who collects the money at the conclusion. Normally the Turkish Knight is killed by St. George and revived or resurrected by the doctor. There are many elements in the plays, both pagan and Christian and the plays and the names of characters may have changed from generation to generation.

The Salisbury Mummers, c. 1932
Ref: P7940

The plays, normally each village would have its own version, were kept alive by ordinary people who had an interest in being able to supplement their wages once a year. Many did not survive the First World War although in Wiltshire mumming plays were still being performed at Alton Barnes in 1930 and at Shrewton in 1936.

This year an adapted version of the Limpley Stoke Mummers’ play is being performed as the Peaceful Gudgeon Mummers Play on Saturday 18 December at 7.00 p.m. at St. Michael’s Without, Broad Street, Bath. Please 'read more' to find out more'...

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