I have visited several churches recently and photographed some really interesting features in their interiors. When a church is unlocked you will often find some good architectural and artistic work that has survived many centuries and Victorian restorations. The font can often be the oldest surviving feature of the church and may be Saxon or Norman. There can also be wall paintings, remains of medieval stained glass, 17^th century woodwork, royal coats of arms, carved medieval stone heads and much, much more. I’d like share a few of my pictures with you.
 

A very fine early 15^th century rood screen in the Church of St. Swithin at Compton Bassett. Not at all what would expect to find in a small village church but it is believed to have been brought from Salisbury Cathedral, or possibly Winchester Cathedral, in the 18^th century.

 
The Rood Screen, St. Swithun's Church, Compton Bassett

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Whilst the snow still lay on the ground I, and a couple of volunteers, made a trip out to the east of Wiltshire, almost on the Berkshire border, to Shalbourne. Our job this time was not to look at any listed buildings, but to scrutinize a couple of barns at Ropewind Farm on the Rivar Road.
Shalbourne is a quiet village mostly filled with neat, detached houses set back on leafy lanes. The agriculturalist Jethro Tull lived here at Prosperous Farm, but Shalbourne was also briefly the home of Karl Parson, a stained glass artist who was apprenticed to Christopher Whall, a leading light in the Arts & Crafts Movement. He helped Whall to illustrate Stained Glass Work (1905) and was involved in designs for Cape Town Cathedral (1908), Pretoria (1909-10) and for many churches in the USA. He later designed some of the stained glass in St Michael’s parish church in Shalbourne.

 
Ropewind Farm

Parsons came to live in Shalbourne between 1930 and 1933, setting up a studio at Ropewind Farm where he converted a mid-18^th century 3-bay barn, adding a large, porch-like window to let in natural light on the north side. He also incorporated a small granary on rather unusual brick and timber staddles into a larger purpose-built storage building and garage, giving access directly from Rivar Road. The house he lived in adjoined the site. He was forced to return to London through ill-health in 1933 and died there the following year. 'Read more' to find out about the farm's more recent history...

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