WSHC blog

Tags >> Stonehenge

I regularly mention the fantastic objects that you can find in Wiltshire’s museums but did you know that they also hold impressive art collections?

Museums of all sizes have paintings and prints depicting local scenes or created by artists who lived in the area. Not all of these will be household names, but they are still a valuable part of the story of life in Wiltshire which museums tell.

 


Back in March we had an enquiry from a gentleman trying to establish the date of a couple of photographs of the bridge at Bradford on Avon. They were amongst his grandfather’s collection of 598 ‘magic lantern’ slides, many of which were unnamed. He had been unsure of the location of the photographs, but the bridge happened to be featured in a TV programme he was watching called ‘Country Tracks’, and it looked like a good candidate!
The first of two photographs of the bridge at Bradford On Avon
Our Ref: P53801 
 

Upon receipt of the images, it took just one look to realise that they were indeed of the bridge at Bradford. To try to date the images we used two books from our Local Studies Collection, ‘Bradford on Avon: a pictorial record’ edited by Harold Fassnidge and Peter Maundrell, and ‘Bradford in Avon in old Picture Postcards’ by Adrian Powell. Both included pictures of the bridge, one dated c. 1892 and the other 1900. Walter’s photograph showed some metal work in a cross pattern appearing on the blind house. The image of 1900 showed the cross in place but by about 1916 it had disappeared. The other image (taken in or before 1892) had been taken from a slightly different angle but showed the river bank without the ornate metal fence in the picture dated 1900. This fence was also missing in our photograph, suggesting a date of c.1890. 

His grandfather, Walter J Pearce, had been taking photographs from at least 1889, when he took some at the Paris Exhibition. He was part of a delegation of craftsmen sent by the Lord Mayor of London to report on his craft of painting, decorating and gilding. His grandson told us that Walter had actually climbed onto the outside of the Eiffel Tower to look at the paintwork; it had been painted lighter towards the top to make the tower appear slimmer! To discover more about the photographer and the bridge, please 'read more'...





With the longest day and the solstice celebrations at Avebury and Stonehenge our thoughts have turned to summer and summers past. In a rural county this was an important time with a succession of harvests that involved whole families for many weeks. In the 19th century the school summer holiday was known as Harvest Holiday and was often adjusted if the grain harvest was early or late.

 

18th century representation of a Wiltshire shepherd

Children were often kept away from school to help in the fields, bring refreshments to their working parents or look after younger siblings. Women who apparently had no job according to census records would work long hours in the fields at such seasonal work. To find out more about how the season has made its mark on the Wiltshire landscape, please 'read more'...




In the foyer of the History Centre we have displayed images of some of the favourite places in Wiltshire and Swindon voted for by the people of the county and the borough in an online poll conducted a few years ago by the Windows on Wiltshire Project. The winner, with over 20% of the vote was Avebury, with North Meadow Cricklade and the Westbury White Horse coming second and third respectively. Other places high up on the list include Malmesbury Abbey and Salisbury Cathedral, the GWR Works in Swindon and the Box Railway Tunnel, the Caen Hill Locks on the Kennet and Avon Canal near Devizes and, of course, Stonehenge. Read on to find out about my own personal favourite - will it be yours?......

Do You Recognise This Wiltshire Landscape?

Do You Recognise This Wiltshire Landscape?