WSHC blog

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Readers of my earlier blogs will know I am often guided by those twin pillars of research: serendipity and curiosity. It was these two trusty old friends that led me Henry Charles “inky” Stephens (1841 – 1918). While tidying my desk as part of my New Year resolution I was left with just a few paper clips and two rulers on the work surface, which reminded me of a patent I had spotted in our indexes for “the parallel ruler” (yes, sadly someone had invented this before me).  The patent seems to enable …er…two parallel lines to be drawn, more seriously it was used by navigators to draw parallel lines on charts and originally invented by Fabrizio Mordente in 1584 and others sought to improve it. But there was more, with the documents were further patents for inkstands and an adjustable pencil, plus specifications for various ink manufacture and the chemistry behind them. Of course, what I had started to look at was part of an archive relating to the Cholderton estate, once owned by the family and an individual whose single small invention arguably helped change the course of writing.


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Patent for an adjustible pencil point, designed by Henry Stephens, 1852
Ref: 1340/76

It was actually “Inky’s” father, Dr Henry Stephens of Redbourne, Hertfordshire, who in 1832  invented the  famous 'Blue-Black Writing Fluid', or Stephens writing ink as it became known,  a "carbonaceous black writing fluid, which will accomplish the so long-desired and apparently hopeless task of rendering the manuscript as durable and as indelible as the printed record". It is the forerunner of the waterproof inks we use today and literally at a stroke became the Archivist’s friend, ensuring better survival of some of our precious written heritage (though for obvious reasons we don’t recommend its use by our researchers, please stick with pencils!).
The government made it the mandatory ink for legal documents and ships' log books, and saved businesses and organisations time and money, where much time previously had been spent mixing inks and cleaning nibs. His son, Henry Charles, took the process forward, ultimately building a factory and research laboratory in Finchley, creating new processes and manufacturing ink and wood stains on a large scale. “Inky” was also an MP for Hornsey (1887-1900), a chemist and a philanthropist, with an interest in subjects such as public health and agriculture. He purchased the Cholderton estate in the late nineteenth century and its archive shows the range of interests he had, which included setting up the first and only private water company in England, the Cholderton and District Water Company in 1904. On his death his house in Finchley was left for the use of the public and is now a museum.

“But about other Wiltshire inventors?” I hear you say. A perfect companion for “inky” Stephens would surely have been Sir Isaac Pitman (1813-1897), born in Trowbridge and inventor of stenographic sound-hand or, as we know it, Pitman shorthand. But our greatest Victorian inventor surely was William Henry Fox Talbot (1800 – 1877) who’s inventions and innovations in photography, including the first negative process, are world famous. He was also interested in other sciences and his work included patents for “gilding and silvering” metals and “obtaining motive power, and improvements in atmospheric engines.”






The Archives Conservation team recently held a number of workshops for museum curators and volunteers on the care of paper and archive collections.

 

This was very much untried territory for the team, Paul Smith and Mervyn Grist, but was in response to requests for assistance from museums around the county. Three days (one in September and two in October) were arranged and numbers limited to six delegates per session. The programme for the sessions was devised by Paul Smith, Senior Archives Conservator. Staff and volunteers from Wiltshire Heritage Museum, Devizes, Dewey, Cricklade, Athelstan, Mere and Salisbury Art Collections attended.


The Wiltshire Council Archaeology Service once again made a successful contribution to the recent national Festival of British Archaeology fortnight. The team led two guided walks and talks, this time in the south and east of the county.

At the first, in Mere, over half of the 100 participants from the two walks joined Clare King and David Vaughan, Assistant County Archaeologists, at Mere Castle and Whitesheet Down. Suggested by our friends in Cranborne Chase and West Wiltshire Downs Area of Outstanding Natural Beauty, the event attracted a large contingent from readers of the AONB Newsletter, The Hart, while others had travelled from as far away as London and Dorset, indicating the continued popularity of these walks and a rapacious interest in archaeology and the historic environment.

Clare’s introduction to the history of this once-imposing edifice was well-received, prompting the usual widespread and interesting array of questions from the assembled group. The walk had started with a steep climb up the sides of Long Hill, a natural rise that was remodelled at its eastern end during the Middle Ages to form the enclosure castle. The earthworks exploited by these early castle-builders remain today as a striking presence in the local landscape and were repeatedly admired by the group as they completed the second part of their walk.