Readers of my earlier blogs will know I am often guided by those twin pillars of research: serendipity and curiosity. It was these two trusty old friends that led me Henry Charles “inky” Stephens (1841 – 1918). While tidying my desk as part of my New Year resolution I was left with just a few paper clips and two rulers on the work surface, which reminded me of a patent I had spotted in our indexes for “the parallel ruler” (yes, sadly someone had invented this before me).  The patent seems to enable …er…two parallel lines to be drawn, more seriously it was used by navigators to draw parallel lines on charts and originally invented by Fabrizio Mordente in 1584 and others sought to improve it. But there was more, with the documents were further patents for inkstands and an adjustable pencil, plus specifications for various ink manufacture and the chemistry behind them. Of course, what I had started to look at was part of an archive relating to the Cholderton estate, once owned by the family and an individual whose single small invention arguably helped change the course of writing.

Patent for an adjustible pencil point, designed by Henry Stephens, 1852
Ref: 1340/76

It was actually “Inky’s” father, Dr Henry Stephens of Redbourne, Hertfordshire, who in 1832  invented the  famous 'Blue-Black Writing Fluid', or Stephens writing ink as it became known,  a "carbonaceous black writing fluid, which will accomplish the so long-desired and apparently hopeless task of rendering the manuscript as durable and as indelible as the printed record". It is the forerunner of the waterproof inks we use today and literally at a stroke became the Archivist’s friend, ensuring better survival of some of our precious written heritage (though for obvious reasons we don’t recommend its use by our researchers, please stick with pencils!). The government made it the mandatory ink for legal documents and ships' log books, and saved businesses and organisations time and money, where much time previously had been spent mixing inks and cleaning nibs. His son, Henry Charles, took the process forward, ultimately building a factory and research laboratory in Finchley, creating new processes and manufacturing ink and wood stains on a large scale. “Inky” was also an MP for Hornsey (1887-1900), a chemist and a philanthropist, with an interest in subjects such as public health and agriculture. He purchased the Cholderton estate in the late nineteenth century and its archive shows the range of interests he had, which included setting up the first and only private water company in England, the Cholderton and District Water Company in 1904. On his death his house in Finchley was left for the use of the public and is now a museum.

“But about other Wiltshire inventors?” I hear you say. A perfect companion for “inky” Stephens would surely have been Sir Isaac Pitman (1813-1897), born in Trowbridge and inventor of stenographic sound-hand or, as we know it, Pitman shorthand. But our greatest Victorian inventor surely was William Henry Fox Talbot (1800 – 1877) who’s inventions and innovations in photography, including the first negative process, are world famous. He was also interested in other sciences and his work included patents for “gilding and silvering” metals and “obtaining motive power, and improvements in atmospheric engines.”

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Some months ago an enquirer brought to my attention an unusual addition at the front of one of our parish registers. It was an 18^th century cure for mad dog bites, along with a receipt for the bite of a mad dog, ‘Brought from the East-Indies by Sir George Cobb Bart.’, dated 9^th July 1759. I found it fascinating and wondered what other weird and ‘not quite’ so wonderful cures and remedies were hiding away in our collection. I found the subject so fascinating that I have waxed lyrical, and I hope you will find it so, too!

‘An Infallliable Cure for the Bite of a Mad-Dog’ in the Beechingstoke Parish Register, 1738-1812

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One of our latest jobs has been to look at Seend House, a grade II* asymmetric villa based the on the Doric order in the centre of Seend, adjacent to the church. It was built between 1807 and 1815 for Thomas Bruges, a Melksham maltster and estate agent to Katherine Long of South Wraxall. 

He was born in 1751, the son of Thomas Bruges senior, a well-to-do farmer of Semington. The younger Thomas became rich as a Melksham maltster and also by acting as land agent for Miss Katherine Long of South Wraxall. He was a Justice of the Peace, and a Commissioner of both the Canal and Turnpike Trusts. Miss Long relied on Bruges’ friendship and advice. With her financial assistance, he bought Craysmarsh and Green Lane farms in Melksham Without, and built, just to the north of the church, the mansion later called Seend House. The Bruges’ family coat of arms is carved on the central pediment on the front elevation of the house, and the drive entrance on each side is flanked by a pillared lodge. Niklaus Pevsner in Wiltshire (the buildings of England series) calls it one of the two best houses in Seend, the other being the Manor House.

 
The Bruges' coat of arms

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Inspired by a recent display on Eddie Cochran at Chippenham Museum and Heritage Centre this blog entry is all about Wiltshire’s links past and present with the world of rock and pop.

 
Eddie Cochran

To commemorate 50 years since the famous rock and roll pioneer died in a car crash on Rowden Hill in Chippenham, earlier this year Chippenham museum put on a display of Eddie Cochran memorabilia. 'Read more' to find out how many other pop stars have been associated with Wiltshire over the years...

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