Readers of my earlier blogs will know I am often guided by those twin pillars of research: serendipity and curiosity. It was these two trusty old friends that led me Henry Charles “inky” Stephens (1841 – 1918). While tidying my desk as part of my New Year resolution I was left with just a few paper clips and two rulers on the work surface, which reminded me of a patent I had spotted in our indexes for “the parallel ruler” (yes, sadly someone had invented this before me).  The patent seems to enable …er…two parallel lines to be drawn, more seriously it was used by navigators to draw parallel lines on charts and originally invented by Fabrizio Mordente in 1584 and others sought to improve it. But there was more, with the documents were further patents for inkstands and an adjustable pencil, plus specifications for various ink manufacture and the chemistry behind them. Of course, what I had started to look at was part of an archive relating to the Cholderton estate, once owned by the family and an individual whose single small invention arguably helped change the course of writing.

Patent for an adjustible pencil point, designed by Henry Stephens, 1852
Ref: 1340/76

It was actually “Inky’s” father, Dr Henry Stephens of Redbourne, Hertfordshire, who in 1832  invented the  famous 'Blue-Black Writing Fluid', or Stephens writing ink as it became known,  a "carbonaceous black writing fluid, which will accomplish the so long-desired and apparently hopeless task of rendering the manuscript as durable and as indelible as the printed record". It is the forerunner of the waterproof inks we use today and literally at a stroke became the Archivist’s friend, ensuring better survival of some of our precious written heritage (though for obvious reasons we don’t recommend its use by our researchers, please stick with pencils!). The government made it the mandatory ink for legal documents and ships' log books, and saved businesses and organisations time and money, where much time previously had been spent mixing inks and cleaning nibs. His son, Henry Charles, took the process forward, ultimately building a factory and research laboratory in Finchley, creating new processes and manufacturing ink and wood stains on a large scale. “Inky” was also an MP for Hornsey (1887-1900), a chemist and a philanthropist, with an interest in subjects such as public health and agriculture. He purchased the Cholderton estate in the late nineteenth century and its archive shows the range of interests he had, which included setting up the first and only private water company in England, the Cholderton and District Water Company in 1904. On his death his house in Finchley was left for the use of the public and is now a museum.

“But about other Wiltshire inventors?” I hear you say. A perfect companion for “inky” Stephens would surely have been Sir Isaac Pitman (1813-1897), born in Trowbridge and inventor of stenographic sound-hand or, as we know it, Pitman shorthand. But our greatest Victorian inventor surely was William Henry Fox Talbot (1800 – 1877) who’s inventions and innovations in photography, including the first negative process, are world famous. He was also interested in other sciences and his work included patents for “gilding and silvering” metals and “obtaining motive power, and improvements in atmospheric engines.”

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The Archives Conservation team recently held a number of workshops for museum curators and volunteers on the care of paper and archive collections.

This was very much untried territory for the team, Paul Smith and Mervyn Grist, but was in response to requests for assistance from museums around the county. Three days (one in September and two in October) were arranged and numbers limited to six delegates per session. The programme for the sessions was devised by Paul Smith, Senior Archives Conservator. Staff and volunteers from Wiltshire Heritage Museum, Devizes, Dewey, Cricklade, Athelstan, Mere and Salisbury Art Collections attended.

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One of our latest jobs has been to look at Seend House, a grade II* asymmetric villa based the on the Doric order in the centre of Seend, adjacent to the church. It was built between 1807 and 1815 for Thomas Bruges, a Melksham maltster and estate agent to Katherine Long of South Wraxall. 

He was born in 1751, the son of Thomas Bruges senior, a well-to-do farmer of Semington. The younger Thomas became rich as a Melksham maltster and also by acting as land agent for Miss Katherine Long of South Wraxall. He was a Justice of the Peace, and a Commissioner of both the Canal and Turnpike Trusts. Miss Long relied on Bruges’ friendship and advice. With her financial assistance, he bought Craysmarsh and Green Lane farms in Melksham Without, and built, just to the north of the church, the mansion later called Seend House. The Bruges’ family coat of arms is carved on the central pediment on the front elevation of the house, and the drive entrance on each side is flanked by a pillared lodge. Niklaus Pevsner in Wiltshire (the buildings of England series) calls it one of the two best houses in Seend, the other being the Manor House.

 
The Bruges' coat of arms

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I am currently researching items for my forthcoming talk at the History Centre on Crime and Punishment in Wiltshire (Thursday 14^th April) and come across a wonderful woodcut engraving of the pillory at Marlborough in an article on obsolete punishments by Llewellyn Jewitt in “The Reliquary” Quarterly Journal, January 1861.

The pillory was used for a range of moral and political crimes, most notably for dishonest trading - the modern equivalent of implementing trading standards.  Its use dates back to Anglo-Saxon times where it was known as “Healsfang” or “catch-neck”. In France it was called the pillorie.  It was well established as a use of punishment after the Conquest.  It was considered to be a degrading punishment with offenders standing in the pillory for several hours to be abused by fellow citizens, sometimes being pelted with all manner of organic material such as rotten eggs, mud and filth. If that was not enough, sometimes the offender was drawn to the pillory on a hurdle, accompanied by minstrels and a paper sign hung around his or her head displaying the offence committed.

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With the eyes of the world’s media currently focussed on the momentous events unfolding in Egypt I thought it would be interesting to see how this country is represented in Wiltshire’s museum collections.

Museums across the county exist to preserve and display the history of Wiltshire and its people as seen through objects, images and documents.

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A year into my one and a half year contract I am responsible for locating and collecting the files and papers produced by the District Councils. Spanning a period from 1974 to 2009 this means some of the files are 35 years old. Unsure what to expect, it has and continues to be a very rewarding role meeting lots of people in a great many roles and locations, who are all passionate about preserving the history of the county.

                                                                     North Wiltshire District Council Minute Books

Why start collecting now?

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Some of the most popular talks I give are those dealing with the meaning of inn and pub names. Currently we don’t have a great variety of pub names in Wiltshire but we do still have some interesting ones. The Green Dragon at Alderbury was used by Charles Dickens in Martin Chuzzlewitt, as he was staying nearby while writing this novel. Dickens used many hostelries in his books and in this case he renamed it the Blue Dragon; perhaps the sign was somewhat faded to a pale blue and he misinterpreted it as it would have been unlikely that the name was on the building.

 
The Green Dragon at Alderbury

The green dragon came from the earls of Pembroke and many of the early names used the badges of great families. The red lion of John of Gaunt, the black bear of the earls of Warwick and the white hart of Richard II are still common today. From the 18^th century the full coat of arms was often used so that in Fovant we have the Pembroke Arms. The association with the badge or coat of arms often indicated that the family owned the property or were the chief landowners in the area.

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 In the centre of Devizes is an unassuming building, not very different from those red-brick houses flanking it. It has large, airy two-by-two pane sashes with typical segmental arches which contain a shaped keystone. Behind the net curtains can be glimpsed a cosy living room, and a pretty garden beyond. This is The Grange and it was once the old Devizes jail, or bridewell, in Bridewell Street.

 The Old Bridewell, Devizes

The Bridewell started life in 1579 as a timber-framed building in the street which now bears its name. It was established after the opening of the Bridewell prison in London in 1556 as a new type of prison to deal with the growing numbers of those regarded as rogues and vagabonds or the idle poor. This example had been followed in Oxford in 1562, Salisbury in 1564 and Norwich in 1565. It was burnt down twice and rebuilt: after a fire in 1619 and another more serious fire in 1630, but still in timber, much of which survives today.

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The registers and records of South Marston parish were recently deposited in the History Centre. Although the impact of this is somewhat lessened by the fact that we have had microfiche copies of the registers pre 1900 for over twenty years, nevertheless it is significant because it leaves only one Wiltshire parish, Ludgershall, outside the fold of the History Centre, quite an achievement in securing the permanent preservation of these vital records. Along with the registers, which go up to 1991, are records including a church rate book, 1847-1857, which is a useful source of names of parishioners at the end of the period of compulsory rating for Anglican churches.

 
A 'Defence of the Realm' register entry found in the Winterslow parish registers. It shows the Wiltshire returns of 1803.

If you are interested in parish registers, you might like to look at a new publication by our very own Steve Hobbs: “Gleanings from Wiltshire parish registers”, which forms volume 63 in the excellent series of Wiltshire Record Society publications, available for use in the History Centre. Steve has uncovered a wealth of information about life in Wiltshire which goes beyond the bare facts of baptisms, marriages and burials. For example, did you know that the 1695 assessments of tax on births, marriages and burials provided the first national census? Very few of the full assessments survive, but the register of Donhead St Mary includes the full asessment, and records the status of all parishioners and amount of tax due. The population of that parish in 1695 is stated as 814. To find out more, please 'read more'...

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An American journalist once said that a picture is worth a thousand words; very true but only if you know what the picture is showing you. Here at the History Centre we have tens of thousands of photographs, most we can identify but a few are a mystery. Some are really good photographs but their historic value would be much greater if we could identify the places and people.

 Image No. P32082
                 To take a look at the other images, please 'read more'...

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