Museum and archive collections are, in their very nature, eclectic. They often have roots in one person’s fascination with the past and they develop and grow much like a tree putting out roots. They are often dependent on donations, and collecting policies within museums are developed to provide some structure to this form of collecting, making sure that very valuable storage space is used to advantage and the best are represented. It is not that often that choices can be made by museum and archive staff about what to purchase, what gaps to fill and who to represent.
The Heritage Lottery Funded Creative Wiltshire project has aimed to facilitate just that. With a carefully prepared bid back in 2014 we were successful in achieving funding to add to some of our Wiltshire collections and with careful consideration we have purchased items that aim to fill gaps, often representing a new creator with a strong Wiltshire connection. We are now reaching the end of this project and our final exhibition at Salisbury Museum will show off some of our recent purchases.
This project is not just about the purchases, it is also about offering training and development to volunteers and staff associated with museums within the county, as well as education workshops, a tool kit for teachers and other events in the wider community. The exhibition at Salisbury Museum has provided a perfect opportunity to put an ‘Exhibitions Assistant Trainee’ in place, to plan, oversee and install the final exhibition with the support of the Salisbury Museum Director, Adrian Green and his team. Thank you to Emily Smith, our successful applicant, who has been able to gain great ‘hands on’ experience of all aspects of exhibition work within a museum context. We gave her a tough brief; expecting planning, curation, exhibition design, mounting of work, co-ordinating staff, borrowing and transferring of objects required from around the county and she has had a busy four months putting this in place. We thank you for your enthusiasm and we are thrilled with the results. The exhibition at Salisbury Museum has now been extended to 29th September 2019; why not pop in and see what you think? You will find work by Rex and Laurence Whistler, Howard Phipps, Nancy Nicholson, Nick Andrew, Jonathan Wylder and Wilfred Gabriel de Glehn, amongst others.
During the course of the project other exhibitions have been held at Swindon Museum and Art Gallery and Chippenham Museum and both have focused on recent acquisitions to their collections. Sophie Cummings of Swindon Museum and Art Gallery says the project has exceeded her expectations and allowed them to purchase pieces by Ken White, previously un-represented in their collection, as well as fine art by Joe Tilson, Harold Dearden, David Bent and Janet Boulton and ceramics by Katherine Pleydell-Bouverie, Patricia Volk and Sasha Wardell.
The current exhibitions at Swindon Museum and Art Gallery are well worth a visit.
An Art of the People – Ramsbury & Cricklade Potteries features work by Ivan and Kay Martin of Cricklade, and Peter Holdsworth of Ramsbury.
Out of the Box: An exhibition of paintings by David Bent
An exhibition of work by David Bent which includes geometric landscapes, intricate photographic collages and paintings as well as his aviation art and “Movement 2000” series. Stunning and inspiring work by this Swindon based artist.
We are trying to get as many societies and history groups as possible to take photos of traditional farm buildings. The pressure on buildings that have lost their original use is enormous. Many redundant farm buildings are either converted into homes and offices or face demolition to make way for new development. Some are left to decay. In an effort to record this rapidly-changing farming landscape we are urging local history group to take a snap-shot or two from the public footpath, road or hill-top and send them in to us. We want to record buildings that have been converted as well as those in their original state, even if still in use. This will give us an indication of the rate of change in Wiltshire, and a record of buildings that may disappear in the future.
We are not a pressure group that wants to stop change, we merely want to chronicle the changes that occur, and keep the information for future study. We also want to learn from the information submitted, so that people living and working in Wiltshire can understand their built heritage better. Many traditional farmsteads have already been lost to the pressures of development, and maybe nobody will remember what they were like, which is a lost opportunity and a great shame. Once they are gone, they are gone, along with a way of life that has persisted for hundreds of years! If you are interested please contact the office and we can supply you with further details, or just get out there with your camera and snap away, making sure you can identify the farm, and date the photographs.
Principal Buildings Historian, Wiltshire Buildings Record
One of the best things about my job is visiting different museums around the county, seeing behind the scenes and finding out about all the exciting things that are happening. Last week I was lucky enough to go to two museums and get a peek at things not normally seen by visitors.
First up was a visit to the Fox Talbot Museum https://www.nationaltrust.org.uk/lacock-abbey-fox-talbot-museum-and-village/features/learn-about-the-history-of-photography in Lacock, with the Wiltshire Museum Group. The Museum tells the story of the history of photography, from the very first photographic chemical processes to the modern smartphone. It also celebrates the life and work of William Henry Fox Talbot who lived in Lacock Abbey. A Victorian pioneer of photography, Fox Talbot created the earliest surviving photographic negative, taken in 1835, of a window of the Abbey. Upstairs there’s a gallery with a changing temporary exhibition programme, which explores photography as an art form.
Curator Roger Watson, told the group about a current project to acquire and manage the Fenton Collection. Thousands of photographs from the 19th and 20th centuries were collected by James Fenton, along with a wide range of photographic technologies – including cameras, exposure meters and stereoscopic viewers. He displayed them in his own Museum of Photography on the Isle of Man, before donating them to the Museum of the Moving Image in 1986. All the items had been in storage since the museum closed in 1999 and last year the British Film Institute had donated them to the National Trust’s Fox Talbot Museum.
Funded by the Heritage Lottery Fund www.hlf.org.uk and the Prism Fund www.artscouncil.org.uk/funding/prism the project has brought the collection to Lacock, where it is being catalogued and cared for, including being re-housed in a newly created store.
The new store is built inside one of the traditional buildings in Lacock – from the outside you wouldn’t be able to tell what’s kept within. A room has been built inside the barn to house the objects. This is insulated to help keep the environment stable and the conditions the best possible to ensure the preservation of all the treasures kept within.
Ann has been working every Monday at the History Centre for several years. Ann has also been involved with Wiltshire People First, a disabled people’s user led Self Advocacy (speaking up for yourself) organisation, with a Management Committee made up of people with learning difficulties. They work to make sure people with learning difficulties in Wiltshire have a voice and are treated fairly and included. One of their activities is the Heritage Lottery Fund project ‘Our lives, Our History’ researching the history, lives and experience of people with learning difficulties, including the history of the former St George’s Hospital, now the location of the Wiltshire People First offices. Ann also took part in the History Centre’s Lacock Unlocked project activity with Wiltshire People First, learning about digital photography and early experiments in photography.
Here is Ann’s first blog for the History Centre:
I like to work here because the people are very nice to me who work with me and I like to do all my jobs. I do lots of jobs and I like working with Terry and Ros because they are very nice and understand my learning difficulties. They are very good with me and I like both of them. I tidy the Reception area, I help with the post, I do photocopying and folding, I help to get the Education Room ready for meetings, I do some filing and help to greet visitors. We get on well together and people help me to do my jobs. My job and the people I like very much. I have some days holiday from work and I go clothes shopping, Pub nights on a Wednesday and I go to Longleat where I have a pass. I get money from work to pay for things. I use a bus pass to get around.
I go to Wiltshire People First to talk about St Georges where I used to live 29 years ago. We talk about me living there, I can’t remember a lot but I can remember some things.
A fundamental part of the Lacock Community Archive project has been recording the memories of local residents through oral history interviews. Oral history is a fantastic method of discovering stories that have remained hidden or missed from traditional historical methods. These memories have ranged from hiding American soldiers from the Military Police in the basement of the Red Lion to Mrs Murray (local schoolteacher) who opened her front window curtains so the local children could watch their favourite television programmes. These vibrant and wonderful memories encapsulate a village community that is often overlooked by the vast number of tourists that flock to the Abbey.
Lacock is known for its famous Abbey, photography and the movies filmed there but just as important are the people who actually live, and have lived, in this wonderful village. Lacock is not just a tourist destination but a living, thriving community which is often overlooked by visitors. The Lacock Community Archive will provide an outlet for villagers to share their stories and memories through oral history, photographs and documents. We will be providing a series of free events for the residents of Lacock over the forthcoming months as part of this project.
As part of our first event we will be displaying copies of photographs of Lacock taken by Harold White from his English Villager’s collection (published 1945). The picture below is of Reverend Jeeves (taken by Harold White), vicar of Lacock at the time. There are, in fact, several photographs of the Rev. Jeeves which raised our interest and encouraged us to discover more about his life and how he came to be in Lacock. Kym Wild, a postgraduate student from Bath Spa University, began researching his life.