I can’t believe that the first year of university is over! It goes so fast and with so much information it can be a bit overwhelming, but trust me, all that hard work and studying will pay off. The Conservation of Objects in Museums and Archaeology undergraduate course at Cardiff introduced me to a whole new world of practical science, as well as in-depth theory, of conservation materials and specialised equipment, such as x-ray and air abrasion machines. By the end of the year I felt pretty confident with the concept of conservation but was still nervous on how to actually apply the theory with real, archaeological objects; in a true work environment. This is where a work placement comes in. My first-year placement was at the Wiltshire and Swindon History centre, as part of the Conservation & Museum Advisory Service (CMAS), a commercial business which deals with issues both in museums and in public collections.
Although it can seem daunting at first, this experience is essential for developing those practical skills and applying the theory with real, archaeological objects, as well as understanding the treatment of different materials and the ethical choices conservators must make; focusing on what’s best for the object and adjusting treatment plans with the client’s wishes accordingly. Keep in mind that work experience is for your benefit, so don’t panic when you have millions of doubts and questions because the people you work with are there to help you (even if you ask questions every 5 mins).
So anyway, onto the actual conservation, hooray!
First things first, you will need to assess the object just by looking at it and writing up a condition report, which simply states any observable issues with the object. The majority of my time was spent working with a Roman ceramic oil lamp in the shape of a foot! Quite a fun object from Chippenham Museum, but as you can see there is a bit of a messy application of adhesive around the centre of the lamp where it has broken in two and was re-joined. There were also scratches, dust and cobwebs on the inside, layers of red dirt/soil on the surface as well as white flaking corrosion (see figures 1-4).
Ok, so the lamp required a good clean and that adhesive definitely needed to come off. Ultimately, the decision was to completely remove the adhesive and undo the join so that I could re-attach the two pieces with a better, cleaner join. In order to remove the adhesive, I needed to work out what solvent it was soluble in. For this, I took small samples of the adhesive from the lamp by slicing off some of the softer areas with a scalpel, under a microscope. I then put the samples into a petri dish and tested them with different solvents (see figures 5 & 6).
Testing solvents on the adhesive:
After about 30 minutes, I could see which solvent made the adhesive go soft and rubbery. The process of removing the adhesive required quite a lot of patience as the it didn’t want to budge; a scalpel was used to remove larger chunks of the adhesive and a poultice was placed around the join. A poultice was a way of creating a solvent environment to help loosen the adhesive and separate the two pieces. *Just to give you an idea of the tools used in this process, I’ve taken a couple of photos for reference.
Figure 7 From left to right – pin vice, plastic tweezers, scalpel, wooden stick and cotton wool
In conservation, we usually make or own cotton swabs by using a bamboo stick or cocktail sticks (depending on what you’re working on) instead of regular, pre-made cotton swabs. Making your own means that when the cotton gets dirty it can be easily replaced and the size of the swab can be varied so you can get into the small nooks and crannies that need a good clean. It also means that we aren’t throwing away millions of cotton swabs and being more environmentally friendly.
After many tries, the poultice wasn’t loosening the adhesive, so I went in with the scalpel and pin vice to try and dig out some adhesive in the join. Another poultice was then left on for a couple of hours. When it was removed I was able to gently pry apart the two pieces (finally!) and clean the new surfaces (see figure 9).
Secret Swindon by Angela Atkinson Amberley Press, 2018 95 pages, includes bibliography, paperback ISBN 9781445683386 £14.99
The aim of this colourful publication is to prove that Swindon is so much more than you might think; a multi-layered, unique and vibrant town. As a reader you are invited to discover things you never knew, aided by ‘Did you Know’ fact boxes to guide the way.
The book begins with an interesting synopsis of the history of the town before the railway. The stories of Swindon’s major families, writers such as Richard Jefferies, Edith New, Swindon suffragette and houses now lost figure here, alongside secret locations and tips on how to while away a happy hour in the town on a historical theme.
Travel back with the GWR and the amazing feats of its employees to create a healthcare system and some wonderful works of culture; also included are the origins of the Mechanics Institute and Swindon’s aviation history for good measure. Modern Swindon is not overlooked, with architecture, the magic roundabout and the strength of today’s cultural activities being investigated.
Angela’s style is witty, snappy and easy to read, weaving information with a conversational tone reminiscent of her origins as a successful blogger.
The content is a lovely mix of old and new on a multitude of topics that goes to the heart of the character of the town. The images reflect the content and complement the text well.
The aim of the book has indeed been met. It will prove an eclectic revelation to both Swindonians and non-Swindonians alike.
It is available to view at here at the History Centre under ref: SWI.940
Each July I set myself a challenge – to find documents in our archive that support the GCSE and A-level topics studied by students who come to us on work placements.
The topics are wide-ranging and on the face of it have little to do with our wonderful county. But Wiltshire folk have always found themselves involved in, if not at the centre of, world events. Among the topics studied by students who have been with us this year are: the Crusades; Henry II; Black American history and Germany 1889-1989. That was just one A-level student.
At GCSE most students tend to study medicine through time, often with a more in-depth look at battlefield medicine in the First World War. Other topics that our students have studied include Weimar and Nazi Germany; international relations during the Cold War; settling of the American west; American politics and civil rights plus a bit of King John and the Magna Carta and a touch of Elizabethan politics, trade and war with Spain thrown in for good measure.
And yes – we can produce documents that relate to all of these topics. The Wiltshire and Swindon Archive is truly global in its coverage.
This year though, the particular challenge was finding collections that referenced the rise of Nazism in 1930s Germany. We searched using a variety of key words including ‘Hitler’. And it was this search that yielded some interesting results – letters written to author and diarist Edith Olivier by friends who were travelling in Europe in the 1930s or who had strong opinions about the politics of Germany and Italy.
We are privileged to have Edith’s archive as she was an inveterate diary and letter writer and our collection contains fascinating letters, notes and postcards from her large circle of friends who, post First World War, included nationally and internationally famous writers, artists, socialites and aristocracy associated with the ‘Bright Young Things’ and the ‘Bloomsbury Set’.
Three letters in this collection were particularly exciting – two were written in 1933 (WSA 982/116) and the third in 1938 (WSA 982/125), and all referred to events and people that are now key to our understanding of the interwar period.
Poet Siegfried Sassoon was a close friend of Edith’s and they wrote to each other regularly. A letter from him dated 28 February, 1933, highlights his fear that another war is imminent. He wrote it the day after the Reichstag – the German parliament building – was set on fire and a month after Hitler had been sworn in as German Chancellor.
Sassoon writes: “How miraculously opportune my poor little poems will be at this moment when there is all this horrible war feeling in the air. Everything seems leading up to a European war… & Hitlerism appears to be a very dangerous & explosive remedy for unrest!”
His letter also alludes to the political disagreements at home with some factions supporting the work of the League of Nations and others believing the organisation, formed in the aftermath of the First World War, was doomed to failure.
Sassoon goes on to say: “The Devil must rub his hands when he sees Winston baiting poor old Lansbury, who after all is on the right side, though he may be a bit silly.”
Lansbury was George Lansbury who in October 1932 became leader of the Labour Party. He was known for his belief in pacifism and unilateral disarmament; so it is interesting to read Sassoon’s support of Lansbury’s position. Sassoon is pessimistic about the future: “I have been thinking about it a lot, & I can’t help feeling that, given a bit of bad luck & people losing their heads, another war might be started just as the Reichstag has been set on fire. Isn’t it strange how some people seem definitely to hate the League of Nations for trying to safeguard the world?”
With all this lovely sunshine in the last few weeks, it has been good to see so many people of all ages getting out and about in the great outdoors. I have been doing quite a lot more walking myself recently and it has reminded me how lucky we are in Wiltshire having so many monuments and historic places that are easily accessible and make great walks. Many of our sites and monuments are very impressive, give commanding views and are free to enter.
I have always enjoyed that physical engagement with the past that you get from climbing up to a steep ancient monument, such as an Iron Age hillfort, a castle mound or the top of the spire of Salisbury Cathedral. The physical exertion has always helped me to understand the scale of effort required by the people who built them and encourages enquiry about who, when and how the monuments were built.
I distinctly remember my first visit to Maiden Castle Hillfort in Dorset when I was 9 or 10, and after a steep walk the sense of discovery and wonder at the size of the ditches and banks. Several decades later, three of which as an archaeologist, I still get that same buzz about visiting these types of site, and what better way is there to get fitter and heather and explore our wonderful monuments at the same time?
Since 2007 the Wiltshire Council Archaeology Team has been organising annual archaeology walks each summer, usually to coincide with the annual Festival of Archaeology organised and promoted by the Council for British Archaeology in July and August. The walks, led by members of the Archaeology team have been very popular and have include places such as Avebury, the Stonehenge landscape, Littlecote Roman Villa, Barbury Castle, the Wansdyke, Adams Grave and Knap Hill and Oldbury Castle.
The very first walk I led as County Archaeologist in 2007 was one of the most challenging. It was a very rainy and wet Spring and Summer and the July walk to Avebury, Silbury and West Kennett Long Barrow was hampered by flooding, so much so that we lost some of the group as they weren’t wearing appropriate footwear to wade across the flooded Kennett on the way to the Long Barrow. Nevertheless, there was plenty to talk about at Silbury as English Heritage were in the process of repairing the Hill after a partial tunnel collapse some months earlier. The repair work was a great opportunity archaeologists to learn more about the monument and how it was built. The 2014 publication of the results by Historic England are fascinating.
This year for the first time in 27 years the Council for British Archaeology is taking a break from organising the Archaeology Festival. However, the County Archaeology team are still organising three exciting and diverse walks, one each in July, August and September.
Sunday 29th July - Iron Age Hillforts. Starting at Battlesbury, Warminster
Long before the Army started training on Salisbury Plain, and even before the Romans ruled, massive earthwork defences were created on the chalk downland. The edge of the Plain above Warminster has been sculpted to created massive hillforts over 2000 years old. Were these structures intended to defend ancestral lands, or to say "this is us”? Were they citadels, granaries, or temples? The hillforts enclose older remains – sites of burials and sacred places, so there may be more to them than defence and power. Join us as we explore these massive monuments and the landscape that they occupy, see how archaeology has deepened our understanding of the hillforts and wonder why, after so much work, one fort may have been abandoned before it was finished.
Sunday 5th August - Avebury World Heritage Site
Avebury is well known for having the largest Prehistoric stone circle in the world. However, the stone circle is surrounded by a range of other funerary and ritual monuments dating to the Neolithic and Bronze Age, some of which are unusual and unique. This exciting tour takes you through and between the monuments, exploring the monuments and their relationship with the landscape. The tour will take in the Avenue, Waden Hill and Silbury Hill amongst others and explore the reasons why the Avebury landscape has been designated as a World Heritage Site.
Sunday 2nd September - Oliver’s Castle Roundway Down Battlefield, Bromham
The Battle of Roundway Down was fought on 13th July 1643, when the armies of King Charles I and Parliament clashed on the hills above Devizes. Our walk will explore the battlefield and its importance, as well as its place in the wider landscape. Join us to find out why there were Lobsters on the battlefield, how the Bloody Ditch got its name and what occasioned Charles I’s only recorded joke. We might also explain where Devizes castle went.
We will also explore the remains of much older monuments, Oliver’s Castle Iron Age hillfort and associated burial mounds, which are testament to how our Prehistoric ancestors used this landscape for settlement, defence and ritual activities.
The walks promise to be interesting and stimulating events for all age groups. They all start at 11 AM on a Sunday morning and will involve walking for 2-3 hours. The Iron Age Hillforts walk may be a little longer (3-4 hours).
All our walks are free but you will have to book a spot as we have a limit on numbers.
One of the pleasures of working in a History Centre or County Record Office is that you are always discovering new material. There are many occasions when a customer has requested something and I think ‘that looks interesting, I must have a look some when.’ The list is growing ever longer and I will probably never get round to looking at everything that interests me. A few months ago one of our regular customers spent several days looking at the Great Rolls. These documents have always been a mystery to me as I have never known exactly what’s in them and how easy they are to use.
The Rolls are part of the Quarter Sessions records. Prior to the Local Government Act 1888 and the creation of County Councils, the Quarter Sessions presided over by JPs were responsible for the administration of justice. As well as dealing with criminal cases, examples of their responsibilities were the administration of poor law, apprenticeship indentures, ale house licences, plans of canals and railways, coroners’ accounts, the County Militia, Meeting House certificates, registers of gamekeepers, the supervision of prisons, the drawing up of jury lists, regulations regarding highway maintenance, the licencing of lunatic asylums and recording the names of parish constables. All of which is a wealth of information for both the family and local historian.
Here in Wiltshire we are fortunate enough to have an active Family History Society which has transcribed and indexed many of the criminal and poor law registers. One of our archivists has transcribed the ale house records. But what about the many hidden gems that we don’t know about? As well as the rolls themselves, which in Wiltshire date back to 1603, there are also rough minute books, entry books and order books. The rough minute book was effectively the clerk’s notebook. The order book records the full minutes of the court. The entry book includes names of the jury, presentments (a formal presentation of information to the court) and the names of people who were bound to appear at the court. I have chosen the year 1750 as an example.
The term ‘rolls’ describes the documents perfectly, as the parchment and paper documents used in the court were spiked, threaded on string and rolled for storage. There are four bundles for each year, one for each of the sessions. They are still known by the four English court terms during the calendar year, Easter, Trinity, Michaelmas and Hilary. Each bundle consists of smaller rolls each covering one subject, one of which is returns of jurors.
As well as giving names, which will be of interest to family historians, the return also gives a glimpse into the workings of local government. The next layer of government below the Quarter Sessions was the hundred court. (Wiltshire was divided into 40 hundreds; a hundred was a group of parishes that functioned as one administrative unit). This dealt with petty crimes committed in one of the parishes within the hundred. At the top of the document are the names of the constables of the hundred. They were senior law enforcement officers (prior to the establishment of professional police forces). Next are the gentlemen summoned to serve on the grand jury at the Quarter Sessions. Finally, all the men who served on the hundred jury, with their parish, are listed. Sometimes the list will include the juror’s occupation.
Conservators from the Conservation and Museum Advisory Service at the Wiltshire and Swindon History Centre have been out and about visiting museums in Salisbury. Our time visiting local museums is used primarily to provide advice and guidance on specialist aspects of caring for a museum collection. Often this involves walking a fine line, balancing the need for conservation and long term preservation of a collection with the very important need for a museum to display and allow access to its collection. For the conservation of many objects the ideal storage location would be a cold, dark, sealed box. However this is obviously impractical, not only for any museum to achieve, but is contradictory to the reason for preserving collections: allowing people to see and access items for a long time to come. Collection care is therefore a balance of risks, between what is best for the collection item and how the item can best serve the needs of the museum.
Arundells, the former home of Sir Edward Heath KG MBE, Prime Minister and Statesman, houses a diverse collection. The museum maintains Sir Edward’s home as it was at the time of his death and so collection items such as a grand piano, fabulous art works and gifts from his state visits sit side by side with yachting photographs, satirical cartoons and even a very 70’s disco shirt!
The collection item most memorable from our visit was the hand-painted silk wallpaper which lines the visitors’ route up the staircase to the first floor. The wallpaper, a gift to Sir Edward from his staff, was installed in the house in the 1980’s.
Keeping the location of the wallpaper at Arundells is crucial as it was purposefully created for the location chosen by Sir Heath himself. To remove the wallpaper and hide it away in dark, cold storage would irretrievably reduce its historical value. So the question is how best to preserve the wallpaper on permanent and open display in the museum?
Historic houses often have collection items (otherwise known as fixtures and fittings), such as wallpapers, curtains, carpets and furniture which are required to be maintained in their normal settings. Curtains can best be understood as curtains if they continue to frame a window and wallpaper is best understood if it remains lining a wall. Contrary to our conservation ‘dark box’ a controlled environment is particularly difficult to maintain for fixtures and fittings on permanent display in their original locations. Particular threats to these collections are high light levels from windows and internal lighting, warm conditions from internal heating and pests.