Articles tagged with: Wiltshire

Binding the Tailors

on Monday, 28 October 2019. Posted in Archives, Conservation, History Centre

Quite often I come across interesting things as I go about my business in the strong rooms at the WSHC. Today was no exception when I discovered this rather odd-looking book. On first glance it appears that someone has rather hurriedly wedged a large book into a small bag but on closer inspection I discovered I was looking at a medieval chemise binding.

 

 

G23/1/250

The binding contains an Act and Memoranda Book for the Tailors’ Guild of Salisbury including byelaws, admissions of freemen and apprenticeship indentures, dating from 1444-1838 and gives us a wealth of information regarding their organisation and activities.

It is big and extremely heavy and has a particularly large piece of leather skirting along the tail edge (lower edge). It has visible sewing stitches along the edges and two metal clasps on the foredge (front edge) that attach to corresponding slits in the cover. The book dates from 1444 so is most likely an original medieval binding, although more recent sewing repairs are visible around the edges. The text block pages are made from parchment and contain varying manuscripts, some with illuminations.

Above: Examples of parchment pages from the book

Wonderful Warminster – the Warminster Buildings History Project

on Tuesday, 15 October 2019. Posted in Architecture, Wiltshire Places

Warminster is a market town lying in close proximity to Salisbury Plain. Its history starts with the discovery of two Roman villas at Pit Mead, Bishopstrow. In Anglo-Saxon times it was a royal estate and residence, but it was not until the 13th century that it began to develop into the town we know now.

The earliest settlement was likely around the parish church of St Denys and nearby Manor House (now embedded within Manor Gardens), but nothing else survives. The town grew east from the site of the old Emwell Cross, an open space which tradition says was an old market site originally and now contains a grade II* stone obelisk commemorating the enclosure of the parish in 1783. At that time the eastern limit of the town was at the junction of George Street and High Street. In the early 13th century the ‘market of Warminster’ with a shop ‘covered in stone’ appears to have been a separate area based around the chapel of St Lawrence, a chapel-of-ease for St Denys (the Minster) which had become isolated on the north-west fringes of the town.

Very little is known about the medieval development of the town apart from the mention of houses in Church Street, High Street, West Street and Portway, and until fairly recently, only hints of older buildings behind later fronts have been coming to light. During inspection and recording when town centre buildings are redeveloped, more evidence has been uncovered of the survival of early fabric that could be medieval or early modern.

The drawing dates to before 1832 and shows the Old Ship Inn on the site of the junction between the High Street and the Close. The old town hall stands next to it. Note the stocks! Both buildings are now gone.

Historic England have long understood that there is more to many ordinary or modern-looking towns than meets the eye and are actively fostering groups to uncover their history through the physical fabric of bricks, mortar and timber. It has recently been discovered that the row of buildings between the Athenaeum in the High Street and North Row contain the substantial remains of jettied timber-framed houses, probably shop-houses of the late medieval/early modern period. No. 16 (Bon Bon Chic) was dated to 1513 in 2014. No. 6 High Street (Café Journal) was found to date between 1499 and 1531. Cordens (no. 4 High Street) is likely to be the oldest in the row from architectural details evident. Fragments of earlier buildings have been uncovered at the Bath Arms (now Wetherspoons) and 32 Market Place (Coates and Parker) which hint at the type of buildings that preceded the present shops.

Warminster has been underappreciated as a town in architectural terms. Wiltshire Buildings Record is hoping to bring out knowledge of exactly how Warminster is unique and special, and this should foster greater interest in our town. Thanks should be given to the Warminster Preservation Trust who have kindly donated £2,000 so we can kick this project off with dating some key buildings using dendrochronology. Watch this space!

Dorothy Treasure 
Principal Buildings Historian, Wiltshire Buildings Record

The Memory Box Reading Group

on Tuesday, 01 October 2019. Posted in History Centre, Traditions and Folklore, Wiltshire People, Wiltshire Places

Do you love reading and history?

Our latest venture might just suit you down to the ground!

Our reading group is based at the History Centre on the 1st and 3rd Monday of every month, 2-3.30pm, free entry. It’s a chance for anyone who is at a loose end to come along and listen to extracts of books from our Local Studies Library on a wide range of topics, take a look at a range of documents from the Archives and photographs from our Local Studies Collection, not to mention tea/coffee, biscuits and a chat at the end!

Feel free to join in with any memories or comments you may have, or just enjoy the friendly atmosphere with others and the chance to take a look at the many fascinating and little seen items from our vast range of collections.

Sketch for an instrument to lop forest trees at Savernake, 1809 from ‘Royal Forests’ topic

Topics we’ve covered so far have been as wide-ranging as Royal Forests, the Workhouse, the Fair, Ironworks, Education, Cinema, 1950s Chippenham, Washday, Harris’ of Calne and Alfred Williams. The extracts mostly cover Wiltshire places but we also find out about the origin of the subjects to add context, covered by our general reference (Heritage) collection held at the library. The group also suggest topics of interest for us to cover in future sessions, which is proving to be very successful and interesting to date.

Eden’s State of the Poor 1797 Vol 3, Wilts – Seend entry from ‘Agricultural Labourers’ topic

You’ll be amazed by what there is to discover and uncover; we’ve found out about sea eagle bones which were purported to have been used in medieval bird hawking; the common labourer who was writing to tell others of the plight of his follow workers in the 18th century, the pioneer of the modern-day cinema, based in Salisbury, and much more!

We are a small, friendly group at the moment who would love to expand; please feel free to drop in and join us sometime soon; no appointment or booking necessary. A copy of our leaflet with further information can be found here.

If you have any questions or queries please feel free to contact me This email address is being protected from spambots. You need JavaScript enabled to view it. or tel 01249 705534

Comments from attendees include “Brings back memories I’d forgotten I had”; “It’s lovely to hear other people’s ideas and learn new things”; “Brings up questions and new things to think about”…

We look forward to meeting you!

Julie Davis
Reading Group Leader and County Local Studies Librarian

From ice cream to internment

on Tuesday, 17 September 2019. Posted in Archives, Wiltshire People

It’s funny what you end up discovering in the archives. A couple of weeks ago a researcher, Dr Kate Luck, came to me in the reading room and asked if I had come across a man named Andrea Cavacuiti during my research on internees in Wiltshire. I hadn’t, but it turns out that it’s possible to find out quite a bit about him from the police files held here at the History Centre and from the internee records held at The National Archives (now available on Ancestry).

Andrea was an Italian who settled in Chippenham in the 1930s and was eventually sent to an internment camp on the Isle of Man during the Second World War. Andrea was born in a village between Bardi and Palma in northern Italy. He came to the UK in 1934 and worked as an ice cream vendor (like most Italian migrants) in Burnham on Sea. Eventually he married a woman from Bristol and the family settled in Chippenham. Andrea opened his first shop, selling ice creams, at 25 The Causeway. The building had previously been a butcher’s shop and so already had a large freezer – ideal for an ice cream seller.

Cavaciuti’s entry in the 1939 Kelly’s Directory

He later opened a fish and chip shop and then moved at least some of his business to the Market Place, opening up the Waverley Café in the area.

After the Second World War broke out and Italy looked likely to enter the war against Britain, MI5 asked the Wiltshire police to keep an eye on all Italians living in the county. They eventually produced a list of these people, which survives in our Constabulary records.

List of Italians in Wiltshire prepared by Wiltshire police – F5/530/7

You can see Andrea’s name on the list about a quarter of the way down – interestingly he’s listed as female, presumably because whoever wrote the list didn’t realise that Andrea is a male name in Italy. It does give us a little insight into how much effort the police expended in drawing up the list – presumably it didn’t extend to actually observing the people involved!

F5/530/7

Like most Italians Andrea was arrested and interned the night that Italy entered the war against Britain.

Telegram to Wiltshire Police ordering the internment of all male Italians in the county, 10 June 1940. F5/530/7

Unexpected archaeological discovery in Westbury

on Tuesday, 10 September 2019. Posted in Archaeology, Wiltshire Places

Exciting and unexpected archaeological discoveries show how no evaluation process for sites is fool proof. What happens next shows how important cooperation and communication is, particularly for the County Archaeology Service, who are tasked with supporting development AND safeguarding heritage. The critical concept is “significance” – how important are the remains; what is their potential to inform us about the past? Rachel Foster, Assistant County Archaeologist reports:

In 2017 Wessex Archaeology excavated a new housing development north of Bitham Park in Westbury. I had requested this work as a condition of planning permission, based on limited evaluation results. Unexpected discoveries demonstrated the challenges faced by Planning Archaeologists in understanding the significance of archaeological sites based on the results of trial trench evaluation. 

The 2018 National Planning Policy Framework states that local planning authorities should identify and assess the particular significance of any “heritage asset” that may be affected by a proposal. In line with this advice, we often ask for sites to be investigated before the determination of a planning application, so that we have that information. Evaluation usually this consists of geophysical survey followed by trial trench evaluation. The Wiltshire and Swindon Historic Environment Record which contains detail on archaeological sites, buildings and finds, informs our decision making.

Archaeological evaluation can feel like a game of battleships. When geophysical survey goes well, and reveals features that look like potential archaeology, we ask for trenches to be dug and the features investigated by commercial archaeologists.  The aim is to understand the significance of the site by investigating features within the trenches, which is not always so easy:  if geophysical survey has not been carried out or is unsuccessful, then trenches are placed either systematically or randomly across a site and there is potential to miss remains. Today, the trenching is usually a 3-5% sample of the development site but in exceptional circumstances, up to 10% may be carried out.  That sample of trenching should find archaeological remains within a site and provide enough information to understand the importance, extent and significance of any remains.  Results of evaluation will then inform our advice to the planning officer on the impact of the development on archaeological remains. Remains considered to be of national significance are likely to be preserved in situ and not developed, but other remains are likely to be investigate. Early knowledge about archaeology and its potential effect helps the developers manage their risk and adequately budget for excavation costs, as well as post-excavation work and publication.  

The geophysical survey results at Bitham Park didn’t show much other than a few lines representing ridge and furrow remains across parts of the site and a few other possible linear features. This image gives an example of the greyscale plot of the geophysical survey results (magnetromotry).

© Wessex Archaeology

Geophysical survey isn’t always reliable, so I asked for trial trench evaluation prior to determination of the planning application: in some cases, later ridge and furrow can hide earlier remains. As the geophysical survey indicated, there were remains of medieval/post-medieval ridge and furrow cultivation; however, my assessment that there might be more archaeology was correct.  Archaeological features were discovered across several trenches, mostly concentrated in the western part of the site. They included ditches, gullies and pits containing small, worn pottery fragments from the early/middle Iron Age and Romano-British periods (150BC onwards). Nevertheless, the significance and extent of the remains could not be fully understood, so I asked for a second stage of evaluation to provide more data. The extra information would help me define an area for archaeological mitigation – the full excavation of important features.  The results confirmed prolonged and intensive agricultural use from the medieval period (1066- 1540). This had truncated and displaced features and artefacts from the earlier Iron Age and Romano-British periods; however, theses features included and arrangement of post holes representing a possible structure (see trench locations of two evaluation stages below).

© Wessex Archaeology

On the basis of the two evaluations I asked for an area of excavation within the vicinty of where the most significant archaeological features were recorded, in the western part of the site and along a north-south trajectory.

In advance of the housing development an initial area was stripped with contingency and here’s an aerial view of the site below, can you spot anything interesting?

© Wessex Archaeology and Thomson Environmental Consultants

Notes on the Conservation of a Very Fragile Letter

on Tuesday, 27 August 2019. Posted in Archives, Conservation

A new project recently appeared in the archive conservation lab: a brittle and damaged looking document that turned out to be an interesting new accession.

Letter Sent to Francis Yerbury, 14th May 1747 (1387/1697)

The document is a letter sent to local Clothier Francis Yerbury in 1747. It is thought that he may have run a cloth mill in Trowbridge although the letter is about a mill in Bradford-On-Avon. Hanne Dahl, Exhibitions and Collections Officer at Trowbridge Museum has transcribed the letter and below gives an overview of the its content:

The letter seems to consist of two messages. One is regarding a cloth order which John Howell has received and is ensuring Francis Yerbury he will pay for. The other is a new cloth order for the Empress of Russia of Clergy cloth in scarlets and greens. 5 cloth samples of Yerbury’s are attached to the letter as a colour reference.
The Empress mentioned was probably Elizabeth of Russia who lived 1741-1762. According to popular history clothing was the chosen means in Elizabeth’s Court by which to display wealth and social standing and according to historian Mikhail Shcherbatov (1733-1790) her court was “arrayed in cloth of gold, her nobles satisfied with only the most luxurious garments, the most expensive foods, the rarest drinks, that largest number of servants and they applied this standard of lavishness to their dress as well.’ Hanne Dahl, Exhibitions and Collection Officer, Trowbridge Museum April 2019

The new accession was passed on to the archives here at WSHC by Hanne after being in the care of the Ponting family; the late Ken Ponting being former Managing Director of Samuel Salter Ltd. weaving mill in Trowbridge.

As is often the case with the documents I work on, there is much of historical interest and I could spend many hours researching them. However, as a conservator, once I have enough detail to inform my conservation decisions, I must tear myself away from the fascinating historical insight and prioritise stabilising and preserving the letter so that future researchers can access it safely.

The letter

It was originally folded to be posted and has the postal address visible on one of the folded sections. The letter is written in brown ink and has textile samples and a small part of a wax seal attached.

Several factors made this a conservation challenge; not only was the paper extremely thin and fragile but the additional attached textiles samples and seal remains also had to be considered at all times as they could easily become detached and lost.

The document needed to be packaged so that it could be safely stored in the archive but also handled without the risk of further damage. As the paper was so thin, it could easily tear again with further handling, even after conservation.

I decided that once repaired, the document would be safest inside a mount- this would allow for compensation of the thickness of the attached textile samples and seal remnants as the depth of the window mount would prevent them getting squashed or dislodged in storage. It would also enable easy viewing as and when required without direct handling of the letter. Text found on the back of the letter was all in one area so the mount could be adapted to have a viewing window on the reverse. This would also mean the document didn’t need to be taken out of the mount or handled to see this.

    
Areas of damage on the letter

Backing removal

The letter arrived with us inside a frame, attached to a backing board with tape partially holding it around some edges. The paper was so thin and weak that tears had started to appear along many of the original fold lines whilst large areas were breaking around the edges.
It was important to remove the letter from the backing for several reasons; the backing board itself, made from poor quality board was likely to be causing damage to the paper. Unless they are archival quality, backing boards and framing materials are often made of very poor quality materials with high levels of acidity. As these materials break down they can transfer acidity to materials they are attached to, increasing their deterioration. I also needed to access the document to effectively repair the tears and remove the adhesive tape.

I was able to successfully remove the letter from the mount using a spatula to ease the tape away from the board surface.

Using a spatula to detach the tape off the backing board

When the board was removed it was possible to clearly see acid transfer which appeared to be coming from the document and transferring onto the backing board, suggesting the paper itself is acidic. This is likely to be due to the ingredients used when the paper was originally made, for example additives such as sizing and fillers or the materials the paper is made from such as wood pulp. The ingredients vary between paper mills and throughout the history of papermaking, for example Lignin from wood pulp is extremely acidic and is generally found in modern papers such as newsprint. This is what makes newsprint go yellow and brittle so quickly.

The darker area of brown mirrors the document suggesting acid transfer from the paper onto the backing board

After removing the document from the backing a new area of writing was discovered where the letter had in fact continued overleaf. The archivist was then able to add this to the existing transcription.

A small area of text was found on the back of the letter after it was removed from the backing board

Once the letter was separated from the backing board I could then remove the adhesive tape. This task of removing tape is always daunting for a conservator as different adhesives react completely differently to different types of removal. Sometimes it can take a long time to find a method that softens or releases the adhesive so that the tape can be removed.

On this occasion I found that applying moisture directly onto the tape was enough to release the adhesive. However, a thick piece of brown adhesive tape down the left side of the letter was so stubborn that after removing a small amount I decided it would be better to leave that particular piece of tape on rather than risking damage to the already fragile paper surface.

Once the tape had been removed I surface cleaned the document being careful to avoid any weak areas. I was then able to move on to repairing and stabilising.

Repairs

Tears on paper documents are generally repaired by adhering small pieces of Japanese tissue to the reverse.

The tissue I used for the letter is only 5 gsm, so it is extremely thin and light- but strong enough to stabilise the tears and weak areas without distracting from the letter itself.

Infills

Two areas of the document had large gaps that although supported on the back with the Japanese tissue repairs, needed to be infilled with a paper of a similar thickness to the letter itself, to prepare the document for mounting. In the conservation of archival documents (as opposed to artworks) it is particularly important that repairs such as this are visible additions, clearly seen as modern repairs and not blended to make them invisible. This ensures that future historians and researchers are aware of the difference between the original document and any conservation work that has been done.

Creating an Inlay

The edge of the letter is traced onto the inlay paper
The inlay paper surrounding the letter shown on the lightbox to highlight the small gap around the edge

In paper conservation an inlay is a piece of paper that is attached around the outside of the document to protect it and prevent further damage to fragile edges. This is achieved by tracing around the edge of the document using a needle and then removing the inner piece of inlay paper to create a paper frame. The inlay paper is attached to the document by thin strips of Japanese tissue adhered along the gap between the two. The inlay protects the original document whilst still retaining full visual access to it. It also means that the document can be attached inside the mount by putting hinges on the inlay paper rather than directly on the document itself and that the letter can be fully displayed in the aperture of the window mount without falling out through the middle.

[12 3 4 5  >>  

logos1

Accredited Archive Service