At the end of August I celebrated five years with the archaeology team here at the History Centre in Chippenham. I thought this a suitable milestone in which to reflect on some of the most exciting discoveries in the central part of Wiltshire (the area I cover), discovered through the advice we give on planning applications.
The Government set out its requirements for the planning system in the National Planning Policy Framework in 2012. Section 12 deals with conserving and enhancing the historic environment. The advice we give on planning applications follows this guidance which needs to be relevant, proportionate and necessary. It is important to understand the significance of heritage assets impacted by development, which is why we ask for a proportionate level of investigation to be undertaken prior to determining applications. Various stages of investigation are carried out. To begin with an archaeological Desk Based Assessment (DBA) pulls together existing information, using as a baseline the Historic Environment Record and other sources where available such as historic maps, aerial photographs, field surveys and site assessment. The DBA helps to establish the potential for archaeological remains to be present within a development site. Sometimes, there is little existing information available because there have been few investigations within the area. In such cases geophysical survey is a useful method for revealing unknown archaeological remains within a site. We get greyscale plots and interpretation plans to help understand what potentially is of archaeological origin. In most cases we ask for trial trench evaluation following geophysical survey. Trial trenching enables us to understand the significance of the archaeological remains which will be impacted by development. Depending on the heritage asset’s significance (to use NPPF terminology) we may ask for a site to be preserved in situ i.e. not impacted by development, or preserved by record i.e. it gets excavated, the remains assessed and then reported and/or published. The following examples show previously unknown settlements which have been found through such methods.
Westbury Trial trench evaluation followed a geophysical survey in 2015 which discovered a number of features dating to the Romano-British period including a number of trackways and ditches. The site has yet to be developed.
Melksham Trial trench evaluation followed a geophysical survey in 2014 which confirmed the presence of a Romano-British settlement. The site is currently being excavated, more detail to follow.
At another site in Melksham, a geophysical survey identified a number of features and the trial trench evaluation confirmed remains dating to the prehistoric, Roman, medieval and post-medieval periods. The site has yet to be developed.
Trowbridge Geophysical survey across a large proposed development site highlighted two sites of particular interest. Trial trench evaluation confirmed a concentration of early Romano-British ditched enclosures associated with trackways and pits and posthole features which appear to represent settlement remains. The relationship between the two sites is of interest. More ephemeral prehistoric activity was represented in other parts of the site which the geophysical survey did not pick up.
One of the main motivators for me wanting to work in museums was to satisfy my curiosity. What’s beyond that rope or behind that locked door? How are the collections looked after when they aren’t on display? What’s going on going on behind the scenes? Basically I’m just really nosy!
One of the best bits of my job is getting to visit museums across Wiltshire and find out about all the exciting developments that are going on.
Last week I managed to get a peek behind one of those locked doors at Chippenham Museum where they are creating a new exhibition space to hold a programme of changing temporary exhibitions. The project is funded by the Arts Council England through the South West Museum Development Programme and work is being carried out to upgrade the space to meet national security standards. Once this has been completed they will have a fabulous, flexible space that will be able to hold bigger and better exhibitions. Crucially it will enable the Museum to borrow objects from the Nationals, such as the British Museum and the V&A, for the first time, meaning that important collections that tell the story of town can be brought back to Chippenham.
The new gallery’s inaugural exhibition ‘Creative Chippenham’ will open on 20th November 2017 and continue into March 2018. This will be a ‘celebration of local creativity’, showcasing the talents of artists and craftspeople that have lived in and around Chippenham, including Howards Hodgkin and Robin Tanner. Many of items have been acquired for the Museum by the Heritage Lottery Funded‘Creative Wiltshire’ project.
Plans for 2018 also include an exploration of Chippenham’s Georgian history, with a ‘Little Bath’ exhibition featuring loans from other museums.
Chippenham Museum will be offering the opportunity to see behind the scenes to everyone. On Saturday 9th September, staff there are giving free tours around parts of the building that are not normally open to the public – this includes the collection stores to find out how the collections are cared for and to see items not normally on display. More information and booking can be found here.
Iron Age hillforts must be one of the most visited types of archaeological sites in the country. Recently I have been up to Barbury Castle a couple of times and have been reminded how impressive and commanding this site is, not just because of its massive ramparts, but also its good state of preservation and all of the other archaeological features you can see from here. It is one of the most impressive of the 35 hillforts we have in the Wiltshire and Swindon area, with panoramic views that take in the Marlborough Downs and the Vale of Pewsey.
Barbury is located between Wroughton and Swindon and the County boundary, as well as parish boundaries, run through the middle of the hillfort. The hillfort was built in the Iron Age, probably around 700 BC and is likely to have been continuously used until the Roman invasion in the mid 1st century AD. It was one of a string of hillforts built close to the line of the Ridgeway, considered to be an ancient long distance routeway. Three other hillforts, Liddington, Uffington and Martinsell are all intervisible with Barbury. It is the most developed and most impressive of the Ridgeway hillforts, having double ramparts on the south side and triple on the north side (possibly an unfinished circuit). In places the banks or ramparts stand over 3 metres in height even now and in the Iron Age would have been topped with wooden palisades and defensive towers. Located at 262 metres above sea level Barbury was built on the highest point of the local area, a beneficial defensive position with commanding views of the landscapes below.
The ramparts at Barbury enclose an area of about 5 hectares and there were two original entrances that survive today at the east and west sides. Unfortunately there has been little modern archaeological investigation to tell us details of the lives lived at Barbury. However, the results of a geophysical survey carried out by English Heritage in 1998 indicate that the interior is littered with hundreds of pits (probably for grain storage) and other features, some of which are the remains of huts or roundhouses.
The interior of the hillfort as well as the ramparts have suffered some damage in the 1940s from the activities of American troops and the Home Guard who were based at the nearby Wroughton Airfield during the war and used Barbury as a training ground. The original hillfort entrances were unfortunately widened by American troops in order to get their trucks into the interior. Fortunately, we have a measured survey drawn in 1884 by General Augustus Pitt Rivers, the first ever Inspector of Ancient Monuments, to show how they would have been.
Are you interested in the rich and diverse landscapes of Wiltshire but wondered what influences and activities have shaped them? Have you ever tried to identify traces of the historic in the present day? These questions and so much more can be answered by the use of the Wiltshire and Swindon Historic Landscape Characterisation Project dataset!
It could be useful for those:
• Producing neighbourhood plans or design statements
• Investigating their local parish, town or village
• Involved with planning or strategic decision making • Undertaking academic research for school, college or university
The project started in 2012 and ran until the end of 2016 and was sponsored by Wiltshire Council, Swindon Borough Council and Historic England. The actual data itself and was created by studying historic and modern maps, aerial photographs and archaeological data to build a complete record for Wiltshire and Swindon. But what exactly will be made available to you?
• The complete dataset of c.14,500 HLC records, covering every part of the county giving details about the present and past character and attributes of the landscape for each land parcel
• Maps of historic landscape character built from the records so patterns and distributions across parishes, districts and the whole county can be seen
• A comprehensive and easy to read report explaining how the project was carried out, the sources used and descriptions of the different landscape types out there
• Case studies showing how you can use HLC data to investigate historic towns, historic farms and places like the Avebury and Stonehenge World Heritage Site
At the end of August 2016 Michael Marshman retired from his post as County Local Studies Librarian, marking an amazing 50 years working for Wiltshire Council.
Mike originally wanted to be an archaeologist but changed direction after visiting the county library whilst still at school in Trowbridge, his home town. He joined Wiltshire County Council on 1st August 1966 as an eighteen year old library assistant, at Trowbridge Library HQ, which at that time was in Prospect Place. In 1967 Mike was appointed a trainee librarian and undertook training at the University College of Wales, Aberystwyth. He returned to Wiltshire to work and became Marlborough Mobile Librarian from 1970-1 followed by Melksham Town Librarian from 1971-1975. Mike has always prioritised working with the local community and while in Melksham he ran two Puffin Clubs for children, hosted or mounted monthly exhibitions and began giving talks on local history – something he has continued to this day! From 1975-1979 Mike became Town Librarian of Trowbridge, where he was one of the founders of Trowbridge Civic Society. Mike, a keen amateur photographer, carried out much important photography of Trowbridge. In 1979 the first of his eight books, Wiltshire Landscape, was published by Countryside Books. From 1979-1981 Mike became Trowbridge Area Librarian which expanded to include Warminster Area in 1981. From 1981-1988 Mike was Town Librarian of Warminster, setting up its new library, working with the local community and setting up, with Nicola Harris, Senior Assistant, a very successful programme of children’s activities. In Warminster Mike also began working with a certain Helen Taylor who will be well known to History Centre visitors! In 1988 Mike became Wiltshire County Local Studies Librarian, and immediately set to work promoting local history county-wide. He organised local history weeks including over 70 events in one year! He inaugurated ‘Wiltshire History Road Shows’ taking archivists and the Wiltshire Buildings Record staff out to communities. He established fiendish cryptic Wiltshire local history quizzes with sponsored prizes. Building on the work of his predecessor, John Chandler, he extended the Wiltshire Collection into the largest collection of published Wiltshire material in the world. Mike also established the Ephemera and Creative Wiltshire collections as sub-sets of the Wiltshire Collection. In 1998 Mike was one of only a hundred librarians nationwide to be awarded the Library Association Centenary Medal for ‘outstanding contribution to and achievement in library work’, presented by Princess Anne, no less, and in 2001 he won the national Dorothy McCulla Memorial Prize awarded by CILIP for his outstanding contribution to local studies work.
This leather sedan chair was on display at the Assembly Rooms, Bath. Staff from the Roman Baths Museum and Pump House contacted CMAS conservators with concerns about the condition of the item following an active pest infestation in objects displayed close to the chair.
The chair was removed from display and treated to remove the pest infestation using a non-destructive heat treatment.
On closer examination following the pest removal treatment it was determined that the chair was too fragile to return to display, and in need of a little TLC.
The leather exterior had been damaged and repaired a number of times during the life of the object. Notably, blue chalk script on a back panel identifies HF Keevil as the repairer of the chair in April 1942 following an air raid!
Many of the old repairs were failing and risked more significant damage if the loose areas were caught. Some small areas of fresh damage and loss had been noted, possibly due to areas being caught and knocked whilst the item was on open display; a common occurrence, for example by the bags of unsuspecting visitors.
In addition the textile interior was extremely fragile with large splits and tears and unravelling braiding.
Due to the size of the item, its fragility and the combination of materials from which it is composed this project has proved challenging. The complexity of the textile repairs necessitated the expert assistance of specialist textile conservators from the studio Textile Conservation Limited. The large size and the fragility of the sedan chair’s surface meant that transportation was not recommended, requiring the work to be carried out on site.