This is a sad blog to be writing, as I’m writing this the day before I leave the History Centre for pastures new. I thought it would be a good way of rounding up what I’ve done over the last four years.
I started at the Wiltshire and Swindon History Centre as a timid (?) newly qualified archivist, fresh from a course at University College London and all prepared to work a full time job and write my dissertation for my Masters in Archives and Records Management. I had got a job as the project archivist for the high-profile HLF funded project Lacock Unlocked, and started my project in June 2013 working with up to 25 volunteers and the Lacock community to catalogue, make accessible and promote the Lacock archives.
I was certainly thrown in at the deep end with the project – I remember having a very serious meeting with the Devizes U3A group, who knew the archive very well and had listed much of it prior to my arrival, and training volunteers on how to use the database and how to read old handwriting. I wouldn’t have had it any other way, however. I learnt a lot very quickly: I learnt how to manage volunteers, and also how to tackle a large and important archive. I had to do talks to the public, both at the History Centre and externally, about the Lacock archive.
Towards the end of the project I was luckily enough given the opportunity to stay on in a permanent role, joining the rest of the archives team in searchroom duty, accessioning, cataloguing, general talks and so on. It was wonderful to be part of this team, join the rota and have a variety of tasks which have taught me more about the local area. It also enabled me to keep working on the Lacock project, retaining many of the volunteers who even now are still coming in weekly to do work for the History Centre.
I have never made any secret of the fact that I am passionate about the archives of private schools. I wrote my Masters dissertation on the use of school archives and have volunteered in a range of them. So it was a wonderful surprise to be told by Claire Skinner that there was an uncatalogued school collection which I could work on if I wanted to. I grabbed the opportunity eagerly, and immersed myself for the next few months in the archives and history of the Godolphin School in Salisbury, whose archives had been deposited with us and needed cataloguing. I was able to visit the school to put the records in context, which was a great day out. I loved starting working on a collection from scratch, combining two separate deposits of material into one, and finding out so much about the school and its history at the same time. The Godolphin School collection is a wonderful one, combining business records of the school, staffing records, beautiful old photographs of staff and students, and headmistress’ diaries which are extremely interesting – like school log books. These are currently being indexed by a volunteer and will be a great resource for anyone whose family member studied or worked at the school.
Following Godolphin, I then started working on a collection within a collection. Steve Hobbs has been cataloguing the extensive Merriman collection (a solicitors’ firm based in Marlborough) for some time and thought it might be nice for me to work on part of it – a succinct series of material relating to the Popham family of Littlecote. This was an estate collection like Lacock, although a lot smaller, but was another great chance for me to get my teeth into something new and uncatalogued, and find out some really interesting things about local families and local areas. I was able to use my experience from Godolphin to catalogue the Popham archive in the most effective way possible (hopefully), not helped of course by the occasional addition tossed to me by Steve as he was perusing other boxes of Merriman material (I was able to toss some to him too, luckily). I had volunteers who had been working on Lacock material working through estate letters which helped me to allocated letters to the various different estates: the Popham family owned Littlecote as well as properties in Churchdown in Gloucestershire, Hunstrete in Somerset and Puckaster on the Isle of Wight, among others.
My next mini project was to work on the collection of the Moulton family of Bradford on Avon, and I have just completed this. It’s been a fascinating collection because as well as lots of deeds of Bradford and other places in Wiltshire, information on the business started by Stephen Moulton in the mid 19th century in Bradford and family papers, there are also many papers relating to other families, particularly the Greene family of Stratford-on-Avon whose daughter Beryl married John Coney Moulton in 1914. Her brother Downes Greene spent many years in Sarawak and we have lots of letters from him to his parents about his life there, which give a wonderful indication of life abroad in the early 20th century. There are also letters from World War One soldier Charles Eric Moulton, who was killed in 1915.
Other projects I have been involved in are: being the acquisitioning archivist for the Creative Wiltshire project, which has allowed me to advise on and catalogue archives of creative people in Wiltshire: namely Roger Leigh, Ken White, Penelope Ellis and the Pelham Puppets business based in Marlborough. The most extensive collection from this was that of Roger Leigh, whose many photographs of his sculptures make up an interesting archive alongside his early diaries, condolence letters and cards to his widow after his death in 1997, and a dream diary that he kept as a young boy which is just a wonderful example of the extent and detail of somebody’s imagination. Becoming involved in Creative Wiltshire also gave me the opportunity to speak at the Creative Histories conference in July this year, in Bristol, about how the project has helped access to archive and museum collections. It has been wonderful to see first-hand how many more archive collections and objects by creative people have been made available for the public as a result of the project.
Away from the practical archives work, I have also been getting involved in writing articles for Local History News, involved with the South West Region of the Archives and Records Association and attending the Fundraising for Archives course run by the National Archives, which has given me lots of ideas on how to raise money for archive services. I have attended lots of courses and conferences, spoken at some and organised others, and I can really safely say that I wouldn’t have done any of this were it not for the encouragement given me by the managers and staff at the History Centre who have given me opportunities to develop my own career, improve the service here, and benefit the development of archives in general.
Ela, Countess of Salisbury was a very interesting woman and this blog will look at her life, particularly relating to Lacock Abbey, which she founded in 1232.
Ela was born in Amesbury in 1187 and inherited the title of Countess of Salisbury as well as many lands and estates in 1196 when her father died, and at that time she was only nine years old. After her husband William died, she assumed the post of Sheriff of Wiltshire as well, which he had held.
Her early life is a bit blurred: following her succession to her father’s title, it appears she was taken to Normandy and imprisoned there. This may have been her mother’s family, so it may therefore have not been a prison: it is possible that she and her mother both travelled to Normandy and remained there with their family. Whatever the action, though, this was a secret place: it was not intended that she should be found. It has been suggested that the reason for this was to save Ela from possible danger from her father’s brother Philip. Bowles and Nicholls, in the book Annals and antiquities of Lacock Abbey, say that this suggestion “would account for her daughter’s confinement by an anxious and affectionate mother, that she might be placed out of reach of those who perhaps might have meditated worse than confinement”. Anyway, she was taken from the legal wardship of the King and hidden in Normandy. An English knight called William Talbot decided to go and rescue her and went to France dressed as a pilgrim. He then changed his disguise to enter the Court after he discovered where she was kept, and eventually managed to take her back to England where he presented her to King Richard. It was Richard who then arranged for her marriage to William Longspee, who was Richard’s illegitimate half-brother and probably about 13 years older than Ela.
William and Ela were probably engaged when her father died and she became the King’s ward, but weren’t married until she came of age. William then became Earl of Salisbury, taking his father-in-law’s title, and also Sheriff of Wiltshire. Together, they laid foundation stones for Salisbury Cathedral, in which William was buried a few years later.
We have been experiencing some very fine weather recently and with this day trips come to mind, and visits to some of Wiltshire’s lovely country houses. One such is Avebury Manor, run by the National Trust and restored in 2011.