I recently finished cataloguing the archive of the Godolphin School, a girls’ only boarding and day school in Salisbury. I took the project on with glee, because I have been very interested in school archives for years and it was wonderful to get the chance to work on the archive. The archive came to the History Centre at two different times. The first accession of material was listed many years ago, but the much more recent second accession had not, although much of it had been indexed. It was my job to take the first accession, 2954, and the second accession, 4265, and amalgamate them into one new collection, 4312.
My first job was to do my own rough box lists of all the material from the different accessions so that I properly understood the material that we had from the school. This also allowed me to check that the 2954 listing was correct and there were no mistakes. Sometimes I think it’s lovely to have a blank canvas with archive collections and it’s great to have no work done on an archive before, so that you come to it with a fresh mind, but for Godolphin it was certainly useful for me to use the previous listings, although I tried to do my own description of the documents before referring to the lists.
Once I had got an idea of what we held, it was time to try and virtually amalgamate the two accessions. I drew up my proposed structure and put each document or bundle of documents from the two accessions into an Excel spreadsheet, which over time probably found itself multicoloured in every shade Excel allowed me to use. Once I had finished, thankfully every number and description was either a satisfying shade of green, to show they’d been put on the system and numbered, or an equally satisfying red to show they were being returned to the school. These returns were all duplicate items. It was then time to put the structure onto our database and begin the more detailed descriptions, which was a lot of fun as I began to know and understand the school history, location, structure and quirks. I loved the school before I even began the project, but I love it more afterwards.
Records for the school date back to 1709, in a letter from Sidney Godolphin, who died in 1712. The school itself was founded by the will of Elizabeth Godolphin, who had married Sidney’s brother Charles. Between them the couple founded many charities, including the school “for the better education and maintenance of eight young gentlewomen to be brought up at Sarum or some other town in the County of Wilts under the care and direction of some wise and prudent Governess or Schoolmistress”. Elizabeth made her will in 1726, but the school did not open until 1784 in the Cathedral Close. Now, the school’s site is in Milford Hill and teaches well over 400 children. The copy made of Elizabeth’s will is the second oldest document in the archive – although the copy itself is much more modern than the will. The most recent documents are from 2014, so the archive really does span the whole history of the school. The most common ones are from the turn of the 20th century: the school itself still holds most of the more modern records.
The most extensive part of the collection (in terms of number of records) is the five boxes we have of photographs, and it was these that I started cataloguing first. The hope was that having the visual impression of the school would help when I was cataloguing other material, and I think it worked. The part I loved most was looking at the turn of the century photographs, which include whole school photographs, staff, house and form photographs, and lovely images of sports. The earliest photograph in the Godolphin collection is one of Miss Polhill, who was headmistress from 1854-1857.
With Summer struggling to make a reliable appearance, there’s plenty of things to do if you want a day out but the weather’s not up to scratch. Museums in Wiltshire have a fascinating array of collections and exhibitions just waiting to be discovered. Here’s a round-up of just a few of the temporary exhibitions you can see around the County at the moment.
If you’re near Salisbury it’s your last chance to see the Sophie Ryder exhibition at Salisbury Museum which ends on the 9th July. Sophie’s work represents a world of mystical creatures, animals and hybrid beings made in a variety of different materials, including wire, plaster and bronze.
The exhibition has a selection of sketches and working models for Sophie’s pieces and there is a reproduction of her workroom, giving visitors an insight into how she approaches making her creations. And if you visit before the 3rd July you will be able to see some of her larger, monumental sculptures around the Cathedral, with etchings and prints on display at Sarum College in the Cathedral Close.
If your tastes are a little less contemporary, the Museum is also playing host to ‘Writing for Eternity: Decoding Ancient Egypt’, a touring exhibition from the British Museum, until the 3rd September. It is a family friendly and interactive exploration of the development of writing in Ancient Egypt and what it is able to tell us about people’s lives thousands of years ago. You can even try writing in hieroglyphics for yourself!
For those who find themselves on the other side of the Plain, head to Trowbridge Museum for their latest exhibition ‘Reimagined: The Cycling Revolution around 1900’, on display until the 29th October. Enjoy a collection of vibrant, new paintings by Patrick Hallissey inspired by the Museum’s photographs of cycling from the turn of the 19th century - when men sported moustaches as wide as their handlebars and women wore corsets to cycle.
The artwork is complemented by a selection of images and objects from the Museum’s collection, which tell the story of how the bicycle influenced society, giving people a new freedom of movement that affected how they worked and played.
This month we celebrated the end of a wonderful project that involved young people from across the county combining heritage and dance to learn about and commemorate the First World War.
The History Centre was proud to have been part of the Dancing Back to 1914 project which was funded by the Heritage Lottery Fund (HLF). The project saw youngsters from Tidworth, Salisbury and Bradford on Avon learn about the 1914-18 war through dance and engage with their local heritage. The groups visited the Wiltshire and Swindon History Centre and also made trips to local museums and to London to see the play Warhorse.
Another group of youngsters from Malmesbury School also took part in the project by visiting the History Centre where they looked at archive material showing what life was like for those who lived through the war, including children. The students also gained an insight into the work of the History Centre with a behind-the-scenes tour. You can read about their visit here: http://www.gazetteandherald.co.uk/news/13882591.Pupils_dance_back_in_time_to_WW1/
Each visit to the History Centre was tailored to the groups’ needs so they saw archives that were relevant to their geographical area.
The Tidworth group were fascinated by the maps which showed how quickly the military town had grown in the run up to 1914 and during the war.
All the students really engaged with the letters, sketch books and diaries that we were able to produce as these were very personal and recognisable – although youngsters today text and email they appreciated reading the letters and diaries that soldiers and nurses had written. Also popular were the photograph albums and sketch books.
Having learnt about the history of the First World War, including the types of dance and fashions of the day, each group created their own response to what they had discovered. The Salisbury group – which included students from St Joseph’s, St Edmund’s and South Wilts Grammar schools – performed at the city’s Christmas Market in Guildhall Square with a dance that was based on the letters they had read at the History Centre.
All those who took part came together for a grand finale at County Hall, Trowbridge on 3rd March. The event, formally opened by council leader Jane Scott, included tea and cake, with the audience mingling with the dancers.
Studio portrait of the Hon, B.P. Bouverie, vicar of Pewsey, seated and reading a magazine, late 19th or early 20th century (P551)
With foreign affairs much in the news lately, readers might be interested in taking the long view and discover what Wiltshire people were reading about the world this week 200 years ago. If you lived in Wiltshire in March 1816, this was a time where semaphore was the nearest thing to Twitter and mail travelled by boat and stage coach, and took a bit longer to end up in the junk folder. Although news travelled slow, it was not hard as you might think to follow international news. Your provincial newspaper, such as the Salisbury Journal (The Salisbury and Wiltshire Journal and General Advertiser for Wilts, Hants, Dorset and Somerset), mainly contained adverts, national (parliament) and international news, more adverts, and just a little bit of local news from surrounding counties. The main function of the newspaper was to bring you foreign and national news, rather than fill the papers with local stories. Given the relatively small population size, you probably knew most what has going on in your local area and all the local gossip, so you didn’t need to read about it. Your newspaper would have been weekly and unlikely to extend beyond four pages. Of course, there were two other essential conditions for your enjoyment, money – the newspaper cost seven pence (the average wage for a labourer was about four shillings and sixpence a week), and you had to be able to read. So unless you were in the minority of the educated and relatively wealthy, well you will just have to wait until someone passes the news on to you and who knows how accurate it will be by the time you hear it – just the sort of misinformation to cause a riot.
Unrest seemed to be the order of the day around the world in 1816. The Salisbury Journal reported on a “serious misunderstanding” between Spain and the United States, the Spanish demanding all of the American citizens who were concerned in the revolution in “South America.” They also insisted on some cessation of territory from the US to Spain. This is most likely a reference to the war of independence in Mexico (New Spain) which lasted until 1821. The Journal also reported that the leader of the “Mexican insurgents,” a man named Morellos, had been arrested. Happily there were no presidential primaries to report on in the US, but it was business as usual, strengthening the navy, creating a national bank and making peace treaties with Native American tribes on the North-West Frontier. Oh, and there was an increase in taxes to pay for previous wars. A bit further away the French were falling out with the Portuguese, who had taken the opportunity to seize Cayenne and French Guiana during insurrection along that part of the Atlantic coast of South America.
In North America the British government were clearly not worried about the sustainability of fish and other sea life, encouraging an increase in the fishery of cod and whales on the banks of Newfoundland. But it was not so good if you wanted to start a new life there, as the government also announced that it was no longer funding emigration passages to America.
This was all very interesting, but of course the news you most wanted to read about was in Europe and in particular, the French...
Back in the summer of 2015 Louise Tunnard from Salisbury Museum interviewed Ella Egberts, a researcher from Bournemouth University:
One of the joys of Museum life is to welcome researchers to Salisbury Museum and allow them access to our collections. Recently Ella Egberts from Bournemouth University came to spend many hours studying our collection of handaxes. I decided to find out more.
1. Can you tell me a little bit about your studies and how you came to be looking at our collections at the Museum?
For my doctoral research I am studying the Palaeolithic record of the Hampshire Avon Valley. This area is of interest because during the Pleistocene it was a large river plain that formed a corridor through the landscape for animals and early humans (hominins). The presence of hominins in the Avon Valley is evidenced by its rich Palaeolithic record that includes some of the largest concentrations of Palaeolithic finds in southern England. These large concentrations of Palaeolithic artefacts are sometimes referred to as ‘super sites’. Two of 19 known ‘super sites’ in Britain are located in the Avon Valley, found at Woodgreen and Milford Hill. Opposite of Milford Hill is an additional site, Bemerton. Although smaller, its position on the other side of the valley from Milford Hill makes it an interesting case for comparison. With my research I hope to better understand the formation of such ‘super sites’ and through analysing the artefacts found at Woodgreen, Milford Hill and Bemerton, I hope to reconstruct hominin behaviour through answering questions such as what tools did they make? What raw material did they use? And why? Together with geomorphological research and the development of a dating framework for the Palaeolithic artefacts I will also be able to situate the three sites in time and relate the timing of hominin presence in the Avon Valley to evidence of hominin presence elsewhere in Britain.
The majority of the Palaeolithic artefacts from Woodgreen, Milford Hill and Bemerton are stored at Salisbury Museum, offering me the possibility to look at each individual artefact and discover clues about the lives of their makers.
2. What have you enjoyed about looking through our collections?
It was a great pleasure to study over 1000 Palaeolithic artefacts, to be able to handle them and take a very close look. Every single artefact is different. The flake scars show the decisions its maker made in producing the tool. But you also see recurring shapes and modes of production. Maybe because they just liked it or because that was how it was learnt. So with every tool you see new things. What made it particularly interesting are the notes left on the tools themselves by collectors like Blackmore when the tools were first discovered. Those notes sometimes provide clues to where the artefact was found, for example in ‘Miss Saunders garden’. The notes on the tools and in Blackmore’s notebook offer a glimpse into a different period of time: the end of the 19th century when the evolutionary theory was consolidating and antiquarians were collecting the evidence of human evolution in the form of stone tools made by early humans.
My previous blog looked at herbal lore with reference to wise women putting Wiltshire’s natural resources to good use. Even so, there was always the possibility, especially during the 17th century when even educated people believed in the dark arts, that they could be accused of witchcraft, and so I thought it would be timely to delve into Wiltshire’s past yet again; this time in hunt of witches.
Europe had fallen under the spell of what R. S. Holland calls ’witch mania’ in the 17th century, partly as a consequence of the reoccurrence of bubonic plague and also due to the rise of religious zeal in the Renaissance period. Men and women could be accused for many reasons: jealousy and spite, being in the wrong place at the wrong time, being the victim to money or property grabbing friends or relatives, or trying to help a patient who unfortunately died of their illness when little was known about the true causes of disease.
Wiltshire’s Churchwarden’s Presentments offer a glimpse into the psyche of local communities at this time, although cases of suspected witchcraft had been presented as early as 1565 (D5/28/1) if not before. Those accused in the 17th and early 18th centuries included Margaret Pilton, 1613; ‘Goodwife’ Barlowe, 1630; William Starr, 1652; Joan Baker, Elizabeth Beeman, Anne Bodenham, Joan Price, 1653; Elizabeth Loudon, Christina Weekes, 1654; Margaret Gyngell, 1655; ‘Widow Orchard’, 1658; Jane Mereweather, 1655; Elizabeth Peacock and Jane Townsend, 1670; Elizabeth Mills, Ann Tilling, the appropriately named Judith Witchell, 1672; Elizabeth Peacock, Ann Tilling and Judith Witchell, 1685 (for the second time); M Parle, 1687; Christiana Dunne and Margaret Young, 1689; Ruth Young, 1698; Joanna Tanner, 1702.
The case of Widow ‘Goody’ Orchard of Malmesbury is described in R.S. Holland’s book ‘Legends & Folklore’, of which ‘extraordinary tales’ were told. Goody was fond of begging for scraps from door to door but had a reputation for threatening those who would not be charitable. Widow Goody came upon one such girl and was seen to pace out a circle around the cottage where the girl was residing. She sat in the middle of the circle and appeared to ‘mumble an incantation’. The procedure was repeated twice over. Not long after the girl’s hands seized up and Goody was detained. She maintained that bad water must have caused the disablement, and unfortunately offered to cure the girl by bathing her fingers whilst casting another spell! She was found guilty and hanged at Salisbury after the girl was cured.
Jane Townsend of Latton was accused of using a ’poppet’ (an English version of a voodoo doll) to cause harm to others, but another notorious case was that of Anne Bodenham who was accused of conjuring spirits. The original statement in the case was quoted in a book by Nicholas Crouch, published in 1688 and entitled ‘Kingdom of Darkness’.
Elder is the witch’s ‘particular tree’ and they were said to have lived in the tree at times and there was a superstition that the tree could bleed if it was cut down. Apologies would be made if cutting was attempted.‘Old gal, old gal, gi Oi yer wood, an’ when Oi be a tree, Oi’ll gi’ yer mine.’ You must never, ever fall asleep under an elder bush for fear of putting yourself under the power of a witch. Hawthorn was also a special tree to a witch but St. John’s wort was a great protector against witches, and pious people would often hang pieces of the herb over doorways on St. John’s Eve to keep witches away. The plant was also renowned for preserving you against tempest, thunderstorm and evil spirits in general. Called the ‘Rose of Sharon’ in Wiltshire, it was the ‘pleasant golden flower’ of the garden.
Cats are most well known as a witch’s accessory, but hares are also particularly noted in association with witches; did you know they too were also called ‘pusses’? (I didn’t!). Lyddie Shears from Winterslow was lucky to have been alive in the 19th century instead of the 17th, and was never tried for witchcraft, but she was reputed to have the ability to turn herself into a hare. This was supposedly discovered to be true when a local farmer shot a hare near Lyddie’s house with a silver bullet (said to destroy witches). Low and behold, Lyddie was discovered dead in her house with a silver bullet in her heart. Ravens were also said to be a witch’s favourite.