Wiltshire at War: Community Stories is a five year Heritage Lottery Funded project, aiming to discover, explore and share stories about Wiltshire’s response to the First World War. Since 2014 we’ve travelled the county collecting stories of the amazing men and women who were affected in some way by the war a hundred years ago, such as ‘Fiesty Aunty Olive and the Women’s RAF’, ‘Young Freddy Butler – from the farm to the Royal Flying Corps’ and the ‘Soldiers and Sailors Free and Easy Club’.
While we’ve written about the project before, it’s worth taking another look as we’ve just launched the fascinating fourth exhibition – ‘Keeping the Home Fires Burning’. This explores how the war affected everyday life in Wiltshire, including the new roles taken on by women, rationing, daylight saving and the refugees who fled to England from Belgium.
The new exhibition was launched on Friday 3rd March at Athelstan Museum in Malmesbury. A large crowd gathered for the event and following the official opening of the exhibition, musician and singer Louise Jordan took to the stage. Louise spent a year researching and writing songs about the remarkable women involved in World War One, who are often overlooked in conventional histories.
The title of Louise’s show ‘No Petticoats Here’ is inspired by Sir Arthur Sloggett’s words to Dr Elsie Inglis. Elsie graduated from the Edinburgh School of Medicine for Women in 1892 and started working with the poor in Edinburgh. Through this work she became aware of the needs of greater rights for women and was an active suffragette. When war broke out, Elsie offered her medical knowledge and expertise, coming up with the idea of treating wounded soldiers from mobile hospital units, run entirely by women. When she presented the idea she was told by Sir Arthur:
‘My good lady, go home and sit still. We don’t want any petticoats here’.
Not to be discouraged, she set about raising the funds to set up hospitals and field units across Europe, staffed by over 1000 women, often in dangerous situations. A truly inspirational woman whose contribution deserves to be remembered.
Louise weaved beautiful melodies through the fascinating tales of these women, with plenty of audience participation along the way! We learnt about many incredible women including engineer Hertha Ayrton who amongst other achievements invented a fan to clear poison gas from the trenches, Louise de Bettignes a French spy employed by the British army and Elsie Knocker and Mairi Chisholm, keen motorcyclists who joined Dr Munro’s Flying Ambulance Corps on the front line.
Also celebrated was one brave woman who is already familiar to Wiltshire at War – Dorothy Lawrence. In 1915 Dorothy was a teenager living in the Cathedral Close in Salisbury, with ambitions of becoming a war correspondent for the newspapers. Determined to report on the fighting in Europe she set out from England by bicycle, heading for the Somme. With a uniform borrowed from soldiers she met along the way she posed as Sapper Denis Smith, spending 10 nights on the frontline before giving herself up.
Since joining the team at Wiltshire and Swindon History Centre as a ‘Transforming Archives Trainee’ with The National Archives, life has certainly been full! Over the last 5 months I’ve been involved in several HLF funded projects, completed a university module on Education and Outreach, have undertaken various in-house training sessions on traditional archive skills, as well as attending training conferences in London, Bristol, Manchester, Warwickshire, Gloucester and Dorset. In a few weeks I’ll be off to Edinburgh for another ‘basecamp’ week, training with The National Archives and Scottish Council on Archives. How time has flown!
Something that has struck me deeply over the course of my traineeship so far, which I’d like to share here, is a realisation about the vast importance of learning from our history - particularly the individual lives and stories of people who have gone before us.
Working on the ‘Wiltshire at War: Community Stories’ project, which focuses on the lives and culture of Wiltshire and its residents during WW1, has brought this home to me most of all. Traditionally, when remembering the World Wars, historians tend to concentrate on military or political strategy, and we subsequently have a multitude of movies, books and magazines concerned with the armed forces and the battles they fought. Whilst this is all fascinating information, the Wiltshire at War project seeks to collect and share the stories and memories of the individual people across Wiltshire, who lived through the troubled times of 1914 -1918. We feel it’s equally important to understand how the Wiltshire community adapted during this time, how life continued, and what individual sacrifices were made. What support did Wiltshire provide to the war effort? How did people across the county ‘pick up’ their lives again, once peace was declared? How did they cope with so much change? The project seeks to bring all this community history back into the community, and to share those stories through our fantastic website and ongoing exhibitions.
Recently I was publishing a story which came to us via our Wiltshire at War Twitter feed. It’s the story of a young farmer’s son called Freddie Butler, who grew up on Rookhaye farm in Bowerchalke, and tragically died in a flying accident whilst serving with the Royal Flying Corps. I was looking at a photo of Freddie as a child feeding hay to one of the horses, happy as can be. I wondered about that child – his hopes, dreams, memories... In that one moment captured through a camera lens, he, like all the people around him, had absolutely no idea what was to come. I wondered too about Freddie’s mother, shown in a separate photo – how did life continue for her, after the loss of her beloved son?
Looking at some of the family photos that have come in with other recent stories - some dating back as far as 1905 - I find myself peering at each individual face, pondering the complex network of unique memories, life experiences, struggles, choices and relationships that each, single person represented. Was it even possible for those individuals to comprehend that, in the not so distant future, these photos and associated stories may be all that’s left to prove that they even existed? Questions then arise in me that are fundamentally about the human condition: What lessons can we learn from these people and their experience - fellow human beings who lived 100 years before us, in circumstances even more challenging than our own? If I consider that in another 100 years, researchers might be sitting at a desk and pondering photos of me and my family, reflecting on the lives we perhaps lived – might I now choose to live mine differently? What legacy would you choose to leave?
In the past I carried out some research on behalf of Salisbury City Council into Thomas Edwin Adlam, a native of Salisbury, who won the Victoria Cross in 1916. In the course of my research I uncovered a fascinating story, which I thought I would share with you, although I am sure there is a lot more still to be learned, in family papers not yet deposited at the History Centre.
Tom (as he preferred to be known) was born at 14, Waterloo Gardens in Salisbury, on 21 October 1893 to a coach-builder, John Adlam, and his wife, Evangeline. Tom began his education at St Martin’s school, Salisbury, then gained a scholarship to Bishop’s Wordsworth’s School, for which we hold the school admission register showing his admittance on 12 September 1906:
Tom was training to be a teacher when he joined the Territorial Force (precursor to the T.A.) in September 1912, and had only spent one month as assistant master at a Basingstoke School when war broke out, and he was mobilised. Originally stationed in India, he applied for a commission and became Second Lieutenant in the Bedfordshire Regiment in November 1915. At school he had excelled at sport, including cricket, which benefitted him in the war owing to his ability to throw bombs further than many of his peers! On 21st June he got married to Ivy Mace, a month before he arrived at the Western Front on 18 July 1916, having, fortuitously, missed the 1st Battle of the Somme on 1st July in which his battalion received heavy casualties. He received his VC for his part in the assault on the Schwaben Redoubt at Thiepval, at the end of September 1916. This well-guarded defensive position had been held by German forces for several months, and they did not give it up without a fierce and bloody fight.
Whilst looking into the history of Pewsey during the First World War, I wanted to investigate whether the time honoured tradition of the Pewsey Feast and Carnival took place during the war years. As it turns out, it didn’t, though I have heard rumours that there may still have been some sort of collection for Savernake Hospital – If anyone has any information regarding this, it would be greatly received!
During my search for information I became intrigued by the feast and carnival, how they came to be and overlap with each other, and the traditions involved. There is some speculation and contention over exactly how the first Pewsey Feast came to be, but the one that seems to win the fight is the story of King Alfred in the 9th Century coming back safely from war and declaring that from then on the inhabitants of Pewsey had the right to an annual feast day. The various traditions have then sprung up over time, with a tea for older people, concerts and dances, various sporting events both the 'serious' and the comparatively frivolous, a large carnival procession, and most importantly of all, the raising of funds for charity, and in particular for Savernake Hospital. The main Feast Day Sunday has traditionally fallen on the closest Sunday to 14th September (Holy Cross Day), with the rest of the festivities following afterwards. The first carnival was held in 1898 and consisted merely of a group of people riding around on ornately decorated bicycles, collecting money for Savernake Hospital, and the events and procession grew from there. Originally taking place in one week, it is now spread across two weeks, with the occasional associated event taking place outside of those two weeks.
Clearly in 1906 the village viewed the festivities with great importance, in the school log book we can see it was closed to allow the children to join in. It's interesting to note in the log book that attendance was high in the last day before the festivities began, and rather bad the day after the carnival procession, one can only speculate as to why!
For this blog I have decided to give you a glimpse of the 1906 Feast and Carnival (16th-19th September) using an article written in the Marlborough Times and Wilts and Berks County Paper on the 22nd September.
The article is titled: "PEWSEY FEAST. INTERESTING CELEBRATION. A REMARKABLE SUCCESS. ALL PREVIOUS RECORDS ECLIPSED."
As you can tell from the title the author was clearly rather impressed with the feast and carnival, they go on to describe all the components of said feast and carnival in varying degrees of detail, but write so much that it fills a whole page of the broadsheet. I will do my best to summarise, trying to pick out the important and amusing parts.
The first section gives a general overview of Feast week and emphasises how warmly the author regards the celebrations as a Pewsey tradition. They take note and admire that the "predominant feature of the Pewsey festivities is their association with the church from the earliest times", stating that as long as people keep this in mind, "no one can conceive any aspersion upon the character of the festivities". The author believes this is why the festivities had been so successful up until that year, noting that the church was always full on Feast day (Sunday). I wonder if that is the same in this day and age. The festivities are then briefly listed in order to give the reader an idea of what is about to be described, beginning on Sunday with the church services, moving onto Monday for the cricket match, "old folk's tea", and evening concert, then Tuesday for the sports day. Then on to the carnival, the committee had wanted to raise £100 on the Wednesday, and due to the success of previous years, the "proprietor of this journal felt that they deserved every encouragement, and accordingly offered a silver cup to be competed for in the afternoon." The cup was donated to encourage people in the surrounding villages to also take part in the competitions, as a way to bring people together, and raise more funds. This was obviously successful, as they had already made £100 by the time the article was written and there were still more collection boxes to come in. The carnival procession on the Wednesday night was apparently one the county could be proud of, "one of imposing magnitude, and one not likely to be forgotten by those who saw it." The last sentence of the introductory section, a stand alone sentence, made me chuckle, as a sentence so very British in nature: "The weather throughout was of a very propitious character."
Now begins the day by day description of the 1906 Feast Week.
The Lacock archive is as full of references to cats as there are currently cats living in and around the abbey. Although these are mostly photographs, there are also text references to cats. The earliest reference I’ve found is from the 19th century. Charles Henry Talbot, who owned Lacock from 1877, kept most of the letters written to him (although sadly didn’t make copies of the ones he sent) and from there we can find several interesting references to his home life and relationships with his family and friends – and animals! We know from correspondence that Charles had at least two cats in the last part of the 19th century, called Stripy and Bunny. It appears that he was very fond of them. Matilda Talbot, who inherited Lacock from her uncle Charles, was equally fond of them and many photographs of cats have appeared from amongst her papers.
In a letter to his uncle of 1893, William Gilchrist-Clark advises Charles regarding the mange that his pet is suffering from: “On my way from Brighton I heard of your cat’s illness. I said to Auntie Monie [Rosamond Talbot] that I thought it must be mange, and she asks me by letter this morning to write to you about it. I thought the cat was not in a healthy state when I saw it in Jan – the hair was too matted and it didn’t look right. The regular vet is laid up, but I am sure the best thing you could do would be to have the matted hair cut off as much as possible and the skin dressed with sulphur and hair oil – the cat would be in an unpleasant state for a bit and would hardly do for the house – but if it was kept in a stable for a bit it would soon feel right again – you could get the dressing from any local vet, and at the same time find out if it was the best thing to use – I always use it for dogs myself.” Personally, I think the first thing I’d do is visit the vet, and find out if it was suitable before I even considered buying the dressing. But it is interesting to see how people dealt with animals’ illnesses. Charles must have been very worried about his cat, and William likewise as he wrote to him so quickly. Let’s hope the strange concoction for the cat’s skin worked, and 1893’s “Grumpy Cat” (I would be if I was kept in a stable and dressed with sulphur) got over his mange and his health improved!
A letter from Rosamond Talbot to Charles of 1898 suggests that Charles has had to find a new home for one of his cats due to it possibly hunting his chickens, and she is helping: “We think that a good home has offered for poor old Bunny, in Somersetshire – people who want a grown up tame cat, so I must see about it when I get home. I cannot think that she has been interfering with the chickens again, now that they are grown so much older – besides she has been so constantly and carefully kept indoors during the middle of the day when the chickens are free, but still it is best to be on the safe side, if we can, for the future. Do you think the fox has put in an appearance again?” The phrase “poor old Bunny” is very apt here. It appears that the poor cat was rehomed as a scapegoat for the fox, although we cannot rule out the possibility of Bunny being a natural hunter and deciding that actually, grown-up chickens were also quite appealing. It is not known if Bunny was eventually rehomed. Maybe Charles decided to just be a bit more careful about where she was kept in relation to the chickens.
This month we celebrated the end of a wonderful project that involved young people from across the county combining heritage and dance to learn about and commemorate the First World War.
The History Centre was proud to have been part of the Dancing Back to 1914 project which was funded by the Heritage Lottery Fund (HLF). The project saw youngsters from Tidworth, Salisbury and Bradford on Avon learn about the 1914-18 war through dance and engage with their local heritage. The groups visited the Wiltshire and Swindon History Centre and also made trips to local museums and to London to see the play Warhorse.
Another group of youngsters from Malmesbury School also took part in the project by visiting the History Centre where they looked at archive material showing what life was like for those who lived through the war, including children. The students also gained an insight into the work of the History Centre with a behind-the-scenes tour. You can read about their visit here: http://www.gazetteandherald.co.uk/news/13882591.Pupils_dance_back_in_time_to_WW1/
Each visit to the History Centre was tailored to the groups’ needs so they saw archives that were relevant to their geographical area.
The Tidworth group were fascinated by the maps which showed how quickly the military town had grown in the run up to 1914 and during the war.
All the students really engaged with the letters, sketch books and diaries that we were able to produce as these were very personal and recognisable – although youngsters today text and email they appreciated reading the letters and diaries that soldiers and nurses had written. Also popular were the photograph albums and sketch books.
Having learnt about the history of the First World War, including the types of dance and fashions of the day, each group created their own response to what they had discovered. The Salisbury group – which included students from St Joseph’s, St Edmund’s and South Wilts Grammar schools – performed at the city’s Christmas Market in Guildhall Square with a dance that was based on the letters they had read at the History Centre.
All those who took part came together for a grand finale at County Hall, Trowbridge on 3rd March. The event, formally opened by council leader Jane Scott, included tea and cake, with the audience mingling with the dancers.