One of the main motivators for me wanting to work in museums was to satisfy my curiosity. What’s beyond that rope or behind that locked door? How are the collections looked after when they aren’t on display? What’s going on going on behind the scenes? Basically I’m just really nosy!
One of the best bits of my job is getting to visit museums across Wiltshire and find out about all the exciting developments that are going on.
Last week I managed to get a peek behind one of those locked doors at Chippenham Museum where they are creating a new exhibition space to hold a programme of changing temporary exhibitions. The project is funded by the Arts Council England through the South West Museum Development Programme and work is being carried out to upgrade the space to meet national security standards. Once this has been completed they will have a fabulous, flexible space that will be able to hold bigger and better exhibitions. Crucially it will enable the Museum to borrow objects from the Nationals, such as the British Museum and the V&A, for the first time, meaning that important collections that tell the story of town can be brought back to Chippenham.
The new gallery’s inaugural exhibition ‘Creative Chippenham’ will open on 20th November 2017 and continue into March 2018. This will be a ‘celebration of local creativity’, showcasing the talents of artists and craftspeople that have lived in and around Chippenham, including Howards Hodgkin and Robin Tanner. Many of items have been acquired for the Museum by the Heritage Lottery Funded‘Creative Wiltshire’ project.
Plans for 2018 also include an exploration of Chippenham’s Georgian history, with a ‘Little Bath’ exhibition featuring loans from other museums.
Chippenham Museum will be offering the opportunity to see behind the scenes to everyone. On Saturday 9th September, staff there are giving free tours around parts of the building that are not normally open to the public – this includes the collection stores to find out how the collections are cared for and to see items not normally on display. More information and booking can be found here.
One of the best things about my job is visiting different museums around the county, seeing behind the scenes and finding out about all the exciting things that are happening. Last week I was lucky enough to go to two museums and get a peek at things not normally seen by visitors.
First up was a visit to the Fox Talbot Museum https://www.nationaltrust.org.uk/lacock-abbey-fox-talbot-museum-and-village/features/learn-about-the-history-of-photography in Lacock, with the Wiltshire Museum Group. The Museum tells the story of the history of photography, from the very first photographic chemical processes to the modern smartphone. It also celebrates the life and work of William Henry Fox Talbot who lived in Lacock Abbey. A Victorian pioneer of photography, Fox Talbot created the earliest surviving photographic negative, taken in 1835, of a window of the Abbey. Upstairs there’s a gallery with a changing temporary exhibition programme, which explores photography as an art form.
Curator Roger Watson, told the group about a current project to acquire and manage the Fenton Collection. Thousands of photographs from the 19th and 20th centuries were collected by James Fenton, along with a wide range of photographic technologies – including cameras, exposure meters and stereoscopic viewers. He displayed them in his own Museum of Photography on the Isle of Man, before donating them to the Museum of the Moving Image in 1986. All the items had been in storage since the museum closed in 1999 and last year the British Film Institute had donated them to the National Trust’s Fox Talbot Museum.
Funded by the Heritage Lottery Fund www.hlf.org.uk and the Prism Fund www.artscouncil.org.uk/funding/prism the project has brought the collection to Lacock, where it is being catalogued and cared for, including being re-housed in a newly created store.
The new store is built inside one of the traditional buildings in Lacock – from the outside you wouldn’t be able to tell what’s kept within. A room has been built inside the barn to house the objects. This is insulated to help keep the environment stable and the conditions the best possible to ensure the preservation of all the treasures kept within.
Don’t forget to visit this wonderful touring exhibition inspired by the British Museum and telling the story of Wiltshire in 100 objects. Supported by the Arts Council England and managed by Wiltshire Museum, Devizes, the project showcases the varied nature of objects held throughout Wiltshire by its museums. These museums range from military collections, industrial sites, art galleries, heritage centres and small village museums as well as national collections.
The 100 objects are diverse and each gives an insight into the rich history of Wiltshire. They have been classified amongst ten major themes...
In 2014 a new project called ‘Now in Then’, funded by the Arts Council England, has been launched, which includes a series of Saturday workshops involving creative writers using archives here at WSHC. I have been involved from the outset in helping to choose the themes for the workshops, alongside the tutor Angela Street, and I have had free rein to choose the archives to help demonstrate those themes. Not being a creative person myself, I am greatly enjoying working with others who are, who can help me see the archives in a new light.
The theme for this term is ‘Lives in the Landscape’ and the first session (on 1 March) looked at the ownership of land. Most of the records I chose for this came from manor courts. The history of manors is worthy of a detailed blog in its own right but in the meantime if anyone is particularly interested they can read up on it on the University of Nottingham website (link at end of this article).
Put simply, a manor is a landed estate with the right to hold its own manor court, which, prior to the Tudor introduction of Quarter and Petty Sessions, was the main local court of law for minor offences. The concept of manors dates back to Anglo-Saxon times, and central to the operation of the manor court is its monitoring of communal behaviour, known as the ‘View of Frankpledge.’ This basically was a system of mutual responsibility meaning that a tithing (a group of about 10 households) agreed to work together to keep law and order within their grouping.