Have you ever thought about investigating the history of your community but aren’t sure where to start? Why not organise a Reunion! This is something I first started in Horningsham in 1995 and 23 years later we are still going strong! It first began in 1994 when I wanted to mark the 150th anniversary of the rebuilding of our church. We held a special service with refreshments afterwards and it was a great success. Someone then had the idea of tracing as many people as we could find who had been baptised in the church, to invite them to a Reunion. Everyone who came enjoyed it so much that they asked if we could do it again the following year, when we chose marriage as our theme………
There are some key factors that will guarantee success. Food and drink is always a good ice breaker, so try and offer some nice treats to your guests. If they are travelling a long way it is good to offer lunch if you can. My experience is that once people sit down with friends over lunch, they are very happy to just sit and chat.
Old photographs are always popular and are a good way of stimulating conversation and memories. This will also encourage people to search through their own collections and find you something for next year. My best find was the year that I was given a photograph of the Royal School at Bath, who were evacuated to Longleat House during WWII. I couldn’t believe my luck and knew immediately that I had my theme for the next year (2008). Many villagers were on the picture as staff who helped look after the girls and I was put in touch with some former pupils who were still living locally and who offered to share their memories with me. This proved to be one of our most successful events.
You will be surprised by how quickly your invitation list grows. Many times I was asked ‘have you contacted my cousin/auntie/school friend….’ and for many years the number of people attending was over 60. Every year I think of a theme and put up a display of photographs in the church, for people to look at before the service. If you tell people what the theme will be in their invitation, someone is sure to offer you some photographs. Photos with people or houses are the most popular; everyone likes to see a wedding photo or the house they grew up in. The friends who come to the Horningsham reunion have been so generous over the years that in 2000 I had enough material to publish a book for the millennium.
To celebrate the 70th anniversary of the archive service we are putting together an online exhibition of 70 favourite documents from the archive chosen by staff and volunteers. One of the items chosen was only recently deposited and is a remarkably detailed record of its type; Thomas Pinniger's farming diary for Little Bedwyn and Beckhampton farm, Avebury 1828-1832 (ref 4381/1/5).
Entries of note include the purchase of Beckhampton farm and Beckhampton Inn from Anthony Guy of Chippenham, 27 Feb and 18 Jun 1828; a note about Guy's subsequent bankruptcy, Nov 1829-Jan 1830; Work on the new house began 25 Sep 1828, completed Oct 1830; difficulties in digging chalk for the roads led to an accident in the chalk pit, 29 Jan 1830; note about the 'Swing Riots', Nov 1830 (pictured above); efforts to clear snow from the main road (A4) , 21 Jan 1830; fruit trees planted in garden, 8 Mar 1830; fire at Mr Neat's farm at Monkton, 5 Jun 1831; trees planted in the yard, 10 Dec 1831; notes of the deaths of relatives and friends, including son Thomas (Large), 31 Jul 1828; verse by rev William Lisle Bowles on the death of Richard Sadler Smith at Bremhill, 31 Mar 1832; and references to thrashing machine, 6 Mar and 23 Jul 1832.
Unsurprisingly diaries can be one of the most engaging sources in the archives because they enable us to hear such a clear and individual voice from the past.
We have some interesting examples in our collections, including an almost complete series of diaries belonging to writer Edith Maud Olivier (ref 982/32-78). The entries are daily and written in detail covering 1894-1948 including this entry relating to a visit of Laurence Olivier and Vivien Leigh in February 1944.
The Wiltshire Record Society has also published volumes of transcripts of diaries and notebooks including:
‘Cherished memories and Associations,’ a manuscript memoir by William Small 1881 (Volume 64; original document reference 2713/2)
William Small, a painter and glazier of 1 New Street, Salisbury, of his life in Salisbury, with biographical details of his family and Salisbury people, tradesmen, apprentices and inhabitants of the Close. There are also details of the history of several houses, particularly in East Harnham where Small was born in 1820. The text is interspersed with poetry and items of local and national interest such as the funeral of Benjamin Disraeli in 1881, the Shrewton flood 1841 and an account of the history of Salisbury probably based on the work of Robert Benson and Henry Hatcher. There are also notes of various events in the Salisbury area 1737-1739 (probably taken from the Salisbury Journal).
These entries provide an insight into his trade, historic Salisbury, particular buildings, and into the detail of everyday life that would otherwise be lost to history. Plants and animals often feature as well as the agricultural area surrounding the city.
Through his description of The Close of 50 years previous, we gain an insight into how the area changed:
“The Close was quite different then from what it is now, Wild thorn and elder hedges in a wild state, a great many large trees about… the Grass was laid up for Hay and Farmer Drake of Netherhampton, used to bring his Waggons in, & cart it away. In 1836 or 1837 there was a very high wind in January I think, & blow down all the stately Elm trees on one side of the walk (called lovers walk) but one, prostrate across the field, then the same year the present young ones were planted” (volume one, page 161-2)
I was recently cataloguing an early 20th century postcard for our Historic Photograph & Print Collection which was quite unusual; it was commemorating the death of two gunners called Harrild and Murray. Included on the front of the postcard were photographs of each of them. I really wanted to find out more. What happened to these men and what were their full names? Even a location for the event wasn’t clear, so I needed help!
After a timely tweet, Trowbridge Museum came up trumps and confirmed that the men had been stationed at Trowbridge Barracks and had been involved in an accident with the funeral being held on 30th July 1909.
My next port of call was to a local newspaper, the Wiltshire Times, where on Saturday 24th July 1909 the inquest was reported. The two gunners were Sidney Harrild (age 19) and Richard Murray (age 26), and another, Gunner Wells, who was seriously injured. It appears that the gunners were removing primers from shells although there was a debate around whether the powder was also being removed. The powder in seven of the cartridges exploded, with “terrible results”. The funeral was also reported, occurring slightly earlier than we thought, on 27th July.
“With full military honours, the remains of Gunners Murray and Harrild were laid to rest on Tuesday afternoon, the awfulness of the tragedy and the solemn progress through the streets of the soldiers with their dead comrades combining to make this occasion one that will not soon be forgotten.”
Since joining the team at Wiltshire and Swindon History Centre as a ‘Transforming Archives Trainee’ with The National Archives, life has certainly been full! Over the last 5 months I’ve been involved in several HLF funded projects, completed a university module on Education and Outreach, have undertaken various in-house training sessions on traditional archive skills, as well as attending training conferences in London, Bristol, Manchester, Warwickshire, Gloucester and Dorset. In a few weeks I’ll be off to Edinburgh for another ‘basecamp’ week, training with The National Archives and Scottish Council on Archives. How time has flown!
Something that has struck me deeply over the course of my traineeship so far, which I’d like to share here, is a realisation about the vast importance of learning from our history - particularly the individual lives and stories of people who have gone before us.
Working on the ‘Wiltshire at War: Community Stories’ project, which focuses on the lives and culture of Wiltshire and its residents during WW1, has brought this home to me most of all. Traditionally, when remembering the World Wars, historians tend to concentrate on military or political strategy, and we subsequently have a multitude of movies, books and magazines concerned with the armed forces and the battles they fought. Whilst this is all fascinating information, the Wiltshire at War project seeks to collect and share the stories and memories of the individual people across Wiltshire, who lived through the troubled times of 1914 -1918. We feel it’s equally important to understand how the Wiltshire community adapted during this time, how life continued, and what individual sacrifices were made. What support did Wiltshire provide to the war effort? How did people across the county ‘pick up’ their lives again, once peace was declared? How did they cope with so much change? The project seeks to bring all this community history back into the community, and to share those stories through our fantastic website and ongoing exhibitions.
Recently I was publishing a story which came to us via our Wiltshire at War Twitter feed. It’s the story of a young farmer’s son called Freddie Butler, who grew up on Rookhaye farm in Bowerchalke, and tragically died in a flying accident whilst serving with the Royal Flying Corps. I was looking at a photo of Freddie as a child feeding hay to one of the horses, happy as can be. I wondered about that child – his hopes, dreams, memories... In that one moment captured through a camera lens, he, like all the people around him, had absolutely no idea what was to come. I wondered too about Freddie’s mother, shown in a separate photo – how did life continue for her, after the loss of her beloved son?
Looking at some of the family photos that have come in with other recent stories - some dating back as far as 1905 - I find myself peering at each individual face, pondering the complex network of unique memories, life experiences, struggles, choices and relationships that each, single person represented. Was it even possible for those individuals to comprehend that, in the not so distant future, these photos and associated stories may be all that’s left to prove that they even existed? Questions then arise in me that are fundamentally about the human condition: What lessons can we learn from these people and their experience - fellow human beings who lived 100 years before us, in circumstances even more challenging than our own? If I consider that in another 100 years, researchers might be sitting at a desk and pondering photos of me and my family, reflecting on the lives we perhaps lived – might I now choose to live mine differently? What legacy would you choose to leave?
As the Second World War drew on numerous other nations entered the conflict, both with and against Britain: Britain formally declared war on Finland, Hungary and Romania on 7 December 1941, the same day as Japan entered the war with the attack on Pearl Harbour; more countries joined the war as time went by. These new entries into the conflict made enemy aliens out of thousands of foreign nationals living in Britain, enemy aliens whom the government believed needed to be controlled. The way these people were dealt with by the government can tell us much about how the final stages of the internment process unfolded in Britain, particularly Wiltshire, and about everyday life for foreigners during the war.
In Wiltshire after the summer of 1940 the aliens who most concerned the police were Romanians. On 8 November 1940 the Home Office issued a letter to all British police forces outlining that in the event of war with Romania, any Romanians in Britain would automatically become enemy aliens, at which point the government planned intern those who were male and between the ages of 16 and 65. We don’t know exactly how many Romanians were living in Wiltshire at this time, but it wasn’t many. According to a census undertaken by the police in March 1942, out of a total of 624 aliens living in Wiltshire there were only six Romanians, two men and four women.
On 12 November the police in Wiltshire drew up a list of names of male Romanians in the county who were to be interned under these orders. They were a 31-year old living in Swindon, and a 16-year old living in West Lavington. In a note at the end of the report the police recorded that “both are physically fit”, meaning that they were not exempt from internment due to poor health. The Home Office had asked the police to keep this list continually updated, and on 13 February 1941 the older man’s name was removed and replaced by another 18-year old living in Hullavington, also described as ‘physically fit’.
These lists present us with something of a puzzle: the Arandora Star was sunk in July 1940, resulting in a public outcry against mass internment and supposedly the government’s abandonment of the policy. Yet here we have evidence that police in Wiltshire, on the orders of the Home Office, were actively maintaining a list of people eligible for mass internment as late as February 1941. The reality is that the government’s change of internment policy was only a very gradual process, one that was set in motion by the sinking of the Arandora Star but not one that was completed quickly.
The conservation department have recently undertaken the conservation treatment of a bust of Alfred Williams.
Owned by the Swindon Museum and Art Gallery the bust has links to two prominent Swindonian artists. The bust is of Alfred Williams who worked for Great Western Railway in Swindon for many years. In his spare time he looked to improve his knowledge learning languages including Latin and Greek, reading the classics and learning about the natural world around him. He started writing in his early twenties and published a number of works, both poetry and prose, throughout his lifetime leading to him becoming known as ‘the hammerman poet’.
The creator of the bust is Swindonian artist Carleton Attwood. Although Attwood worked in many more traditional materials, this bust is made from moulded concrete. Some of his other well known public commissions are “Golden Lion” in Regent Street and “The Watchers” at Toothill Village Centre.
The conservation of the object has been undertaken to improve the condition of the bust so that it can be placed on display. Over the years a layer of dust and dirt had built up on the surface of the bust, as well as it being subjected to graffiti in the past.