I’m Victoria Barlow and I’m the County Conservation and Museums Manager. Before moving to Wiltshire three months ago, I worked as Collections Manager for a maritime museum in Kent and have worked in museums for 15 years. During my first few weeks in post I visited all of the 18 museums that we work with and I was struck not only by the welcome I received but by the professionalism and enthusiasm of everyone working in Wiltshire’s museums.

Volunteer Mike Asbury of Pewsey Museum and Photographer Simon Harris collect an award at the recent Voluntary and Community Sector Awards. Copyright Wiltshire Council.

Many of our museums are run by volunteers and even those which do have excellent professional staff, rely on volunteers to some extent to run their services. You will have heard the government talking a lot about volunteers recently and the concept of The Big Society. Here in Wiltshire we have been doing that since the 1970s! Wiltshire Council doesn’t run a museum but instead we have a Museums Advisory Service and a team of Conservators who work with museums small and large across the county, supporting and helping them to look after their collections and meet professional standards. 

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 In the centre of Devizes is an unassuming building, not very different from those red-brick houses flanking it. It has large, airy two-by-two pane sashes with typical segmental arches which contain a shaped keystone. Behind the net curtains can be glimpsed a cosy living room, and a pretty garden beyond. This is The Grange and it was once the old Devizes jail, or bridewell, in Bridewell Street.

 The Old Bridewell, Devizes

The Bridewell started life in 1579 as a timber-framed building in the street which now bears its name. It was established after the opening of the Bridewell prison in London in 1556 as a new type of prison to deal with the growing numbers of those regarded as rogues and vagabonds or the idle poor. This example had been followed in Oxford in 1562, Salisbury in 1564 and Norwich in 1565. It was burnt down twice and rebuilt: after a fire in 1619 and another more serious fire in 1630, but still in timber, much of which survives today.

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Mummers’ plays were an important part of Christmas for many agricultural labourers in the 19^th and early 20^th centuries. These seem to be first recorded in the mid 18^th century and although there are medieval precedents the connections between the two are uncertain. The later ones provided an opportunity for poorly paid labourers to make some extra income by taking their play around the houses of local farmers and gentry where they would normally receive food, drink and some money.

The characters included a hero, often St. George or King George, his adversary, often a Turkish Knight, a doctor, a fool and a narrator, often Father Christmas in later versions, and a character who collects the money at the conclusion. Normally the Turkish Knight is killed by St. George and revived or resurrected by the doctor. There are many elements in the plays, both pagan and Christian and the plays and the names of characters may have changed from generation to generation.

The Salisbury Mummers, c. 1932
Ref: P7940

The plays, normally each village would have its own version, were kept alive by ordinary people who had an interest in being able to supplement their wages once a year. Many did not survive the First World War although in Wiltshire mumming plays were still being performed at Alton Barnes in 1930 and at Shrewton in 1936.

This year an adapted version of the Limpley Stoke Mummers’ play is being performed as the Peaceful Gudgeon Mummers Play on Saturday 18 December at 7.00 p.m. at St. Michael’s Without, Broad Street, Bath. Please 'read more' to find out more'...

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In one of my earlier blogs I had the pleasure of writing about our research into Black History in Wiltshire. I mentioned at the time that we were working with local communities and other partners to create the SEEME Wiltshire Black History Project. I am pleased to say that this hard work has paid off and we have been awarded a grant of £39,000 from the Heritage Lottery Fund as part of a total of £56,000 we and our partners have raised to run an Oral History Project relating to Wiltshire BME communities.

 
This exciting project will help us to record, transcribe and archive the personal testimonies of elders within the community before they are lost to us. In addition, we will be providing family activities, including performance through drama and music, and animation video in response to those testimonies; creating educational resources and engaging young people with elders; publishing a calendar and a mobile exhibition. The aim is to create a project that is managed by the local community, with opportunities to volunteer and participate in all activies, in partnership with Wiltshire Council, the Salisbury Playhouse and the Wiltshire Music Centre. We are also grateful to Westlea Housing who provided an initial £3,000 to run a pilot project and get the partnership off the ground.

 Baptism entry for ‘Gilbert, son of John Keen, Niger, Yeoman and of Frances his wife.’

We also hope to continue to research the early Black presence in Wiltshire and I am grateful to colleagues and researchers at the History Centre who continue to provide some wonderful examples. Readers may recall that last time I wrote about Maria Mandula ‘Stranger and Aethiops’ buried in Calne, 1586, as perhaps our earliest written reference to a Black person in Wiltshire. My new favourite entry in our records relates to the parish registers of Minety, brought to my attention by our colleague Steve Hobbs. It is for 1708 and relates to a baptism of ‘Gilbert, son of John Keen, Niger, Yeoman and of Frances his wife.’ This is exciting because the majority of the Black people we find in parish registers in Wiltshire at this time were servants / slaves or former slaves for the aristocracy and gentry. Either way, most were not considered to be free. During this period it is estimated that there was a Black population of around 20,000 in London alone, and evidence from provincial counties such as Wiltshire help us to widen the picture. This was a period where Britain had truly established itself as a major player in the slave trade. But here, in Minety, not only do we have a Black person who is a relatively wealthy farmer, who was free, but clearly had been established in the community long enough to be married and have a child. Any further information on John Keen and the Keen family would be most welcome. We continue to collate references to Black people in Wiltshire, notably between 1600’s - 1800’s, so do keep the references coming as we build a picture of our county that has seen constant movement of people and historically more diverse than you might think. To find out more, please 'read more'...

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