This autumn, museums across the county want to know what you think.

We here at the Museums Advisory Service have devised a Visitor Survey to help us find out who visits museums in Wiltshire and what visitors think of them. Although the Museums Advisory Service doesn’t run any museums , we work with museums around Wiltshire giving advice and support and the Visitor Survey is one of the things we are doing with museums this year.

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There has recently become available at the Help Desk a partial index of those men who served in the Wiltshire Militia during the Napoleonic Wars 1793-1815. A brief description of the creation and function of the Militia will explain how and why this could be of use to researchers, together with the five unique features that set them apart from other military forces of the period.

The Infantry drilling, 1807

The first of these features was that the Militia Act of 1758 introduced the idea of conscription. The Regular Army before this date and up to the First World War was officially a volunteer army, but it was felt that volunteering would not raise enough men to serve the purpose of the new force, which was to defend the country in the face of an invasion threat and replace the Regular Army at home during a time of war. Each county was ordered to raise a certain number of infantry men (800 for Wiltshire); each parish was allotted its quota of this total, which was to be selected by ballot from a list drawn up by the parish constables containing the names of all males between the ages of 18-50 (later reduced to 45) with a number of exceptions, including peers, parish officials, clergymen, teachers, preachers, articled clerks, apprentices and members of the regular army. The term of service was for 3 years (later 5) after which time the whole process began again, although men could re-enlist and were encouraged to do so by means of a bounty.

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The Wiltshire Council Archaeology Service once again made a successful contribution to the recent national Festival of British Archaeology fortnight. The team led two guided walks and talks, this time in the south and east of the county.

At the first, in Mere, over half of the 100 participants from the two walks joined Clare King and David Vaughan, Assistant County Archaeologists, at Mere Castle and Whitesheet Down. Suggested by our friends in Cranborne Chase and West Wiltshire Downs Area of Outstanding Natural Beauty, the event attracted a large contingent from readers of the AONB Newsletter, The Hart, while others had travelled from as far away as London and Dorset, indicating the continued popularity of these walks and a rapacious interest in archaeology and the historic environment.

Clare’s introduction to the history of this once-imposing edifice was well-received, prompting the usual widespread and interesting array of questions from the assembled group. The walk had started with a steep climb up the sides of Long Hill, a natural rise that was remodelled at its eastern end during the Middle Ages to form the enclosure castle. The earthworks exploited by these early castle-builders remain today as a striking presence in the local landscape and were repeatedly admired by the group as they completed the second part of their walk.

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Art education and the funding for it have found its way into the press in recent months. As it so happens, a man who spent most of his life in North Wiltshire was pivotal to the development of art in education -  I’d like to tell you all a little about him here…

Robin Tanner was born on Easter Sunday, 1904, the third of six children. He spent his teenage years in Kington Langley, the birthplace of his mother.

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One of our latest jobs has been to look at Seend House, a grade II* asymmetric villa based the on the Doric order in the centre of Seend, adjacent to the church. It was built between 1807 and 1815 for Thomas Bruges, a Melksham maltster and estate agent to Katherine Long of South Wraxall. 

He was born in 1751, the son of Thomas Bruges senior, a well-to-do farmer of Semington. The younger Thomas became rich as a Melksham maltster and also by acting as land agent for Miss Katherine Long of South Wraxall. He was a Justice of the Peace, and a Commissioner of both the Canal and Turnpike Trusts. Miss Long relied on Bruges’ friendship and advice. With her financial assistance, he bought Craysmarsh and Green Lane farms in Melksham Without, and built, just to the north of the church, the mansion later called Seend House. The Bruges’ family coat of arms is carved on the central pediment on the front elevation of the house, and the drive entrance on each side is flanked by a pillared lodge. Niklaus Pevsner in Wiltshire (the buildings of England series) calls it one of the two best houses in Seend, the other being the Manor House.

 
The Bruges' coat of arms

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We recently spent an afternoon in the village of Sherston with work experience students looking at the development of the village. A prominent feature is the Rattlebone Inn, standing at the corner of the market place of what was a planned medieval town. The inn sign shows a Saxon warrior wielding an axe, commemorating the legend of John Rattlebone.

 
F0018  The Rattlebone Inn. The building dates from around 1700 when several new houses were built in Sherston.

We must turn now to John Aubrey, who recorded the following piece of doggerel that was used by old women and children in the mid 17^th century;

            “Fight well Rattlebone,

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