Wiltshire joins other counties on Discovery in providing up-to-date information on where the county’s manorial records are kept. These are key historical sources on the lives of our ancestors for family and local historians, for planning and rights of way enquiries and for students and scholars of all ages. Most, but not all, of Wiltshire’s manorial records are kept at Wiltshire and Swindon History Centre, but the online Manorial Documents Register within Discovery makes it possible to search one database for the County’s records held in all British and overseas archives.
The revision and online publication of the Wiltshire and Swindon MDR has been made possible by generous grants from The National Archives and the Federation of Family History Societies. Claire Skinner, principal archivist, has managed the project and the work has been done by project officer Dr Virginia Bainbridge and a team of 20 volunteers, assisted by Wiltshire and Swindon History Centre staff. The launch took place at a buffet lunch to thank all the volunteers!
In 1086, Domesday Book recorded information on all the landed estates of England. Many of these estates developed into the manors which controlled their tenants’ lives for over eight more centuries. Manorial officials began writing records in the decades around 1200 when record-keeping became more common.
Some of the later buildings we investigated in Kingston Deverill may well have replaced the earlier timber-framed houses that were on the same site. Stone started to be used for vernacular, that is traditional, building from around 1550, possibly because decent timber that was usually preferred was getting scarce, and the local greensand rubble was plentiful. Humphrey’s Orchard seems to have started as a rubblestone farmhouse dating from the late 16th or early 17th century. The slightly peculiar name comes from a former owner. It had a heated hall, or living room/kitchen at the west end, and an unheated parlour for storage to the east. In C1700 the house was further extended to the west, doubling its size and providing further service rooms. When the rear range was added the whole house was ‘gentrified’ – a term meaning that the humble farmhouse was updated with some smart new architectural features inside.
The conservation team are celebrating this week as we have completed work on a beautiful and exciting project. Conservation of the stunning finds excavated from Bognor Regis by Thames Valley Archaeological Services in 2008 has come to fruition. The items form part of an unusual burial assemblage along with an iron ‘bed’ frame and sword and are thought to originate from the late Bronze Age/ early Iron Age.
The finds first came to us in the unassuming form of a large soil block, this was too large to x-ray at our labs so was transported to a local hospital where x-rays revealed a large amount of intricate metal latticework and a helmet.
The soil block was carefully excavated, layer by layer, revealing the spectacular nature of the copper alloy items held within. The helmet and latticework were extremely fragmented and fragile, the helmet was split in half and part of the lattice was adhered to the helmet with corrosion products.
With Summer struggling to make a reliable appearance, there’s plenty of things to do if you want a day out but the weather’s not up to scratch. Museums in Wiltshire have a fascinating array of collections and exhibitions just waiting to be discovered. Here’s a round-up of just a few of the temporary exhibitions you can see around the County at the moment.
If you’re near Salisbury it’s your last chance to see the Sophie Ryder exhibition at Salisbury Museum which ends on the 9th July. Sophie’s work represents a world of mystical creatures, animals and hybrid beings made in a variety of different materials, including wire, plaster and bronze.
The exhibition has a selection of sketches and working models for Sophie’s pieces and there is a reproduction of her workroom, giving visitors an insight into how she approaches making her creations. And if you visit before the 3rd July you will be able to see some of her larger, monumental sculptures around the Cathedral, with etchings and prints on display at Sarum College in the Cathedral Close.
If your tastes are a little less contemporary, the Museum is also playing host to ‘Writing for Eternity: Decoding Ancient Egypt’, a touring exhibition from the British Museum, until the 3rd September. It is a family friendly and interactive exploration of the development of writing in Ancient Egypt and what it is able to tell us about people’s lives thousands of years ago. You can even try writing in hieroglyphics for yourself!
For those who find themselves on the other side of the Plain, head to Trowbridge Museum for their latest exhibition ‘Reimagined: The Cycling Revolution around 1900’, on display until the 29th October. Enjoy a collection of vibrant, new paintings by Patrick Hallissey inspired by the Museum’s photographs of cycling from the turn of the 19th century - when men sported moustaches as wide as their handlebars and women wore corsets to cycle.
The artwork is complemented by a selection of images and objects from the Museum’s collection, which tell the story of how the bicycle influenced society, giving people a new freedom of movement that affected how they worked and played.
I don’t think that I’m alone with my interest in historical crime and punishment. I was interested in seeing if I could piece together a criminal history of someone picked completely at random. With this in mind, I looked through one our archives from the Wiltshire Constabulary, a ‘Divisional Criminal Photographic Album, with particulars of crime and personal details. 1900-1916’. the date range I chose ensured that I didn’t breach the 100 year closed file rule; this allows anonymity which in this case is quite a sensitive subject.
I decided to choose a female prisoner, Mary Jane Oland, born on the 1st May 1870 in Kempsford, Gloucestershire- just over the county border. Mary was the daughter of a shepherd and his wife, Thomas and Harriet Oland. It appears that she was of average education; as well as can be expected for a labourers’ child, she would have definitely attended the local village school.
It is unclear why, Mary, turned to the life of crime, but it appears to have stemmed from a mental health issue. A taboo subject, especially during this period. Marys’ first conviction was on the 28th June 1883 at the age of 14, shockingly, she was bound over by Swindon Magistrates for an attempted suicide. To investigate this devastating start to Mary’s downward spiral, I looked at the Swindon Advertiser- newspaper reports often give a lot more detail than a criminal register or calendar of prisoners. On Saturday 30th June 1883, it was reported that Mary had cut her own throat in an attempt to avoid returning to service near Bath. She had stated that she had been cruelly treated by her employer Mr C Williams, a farmer. Prior to the incident, Mary had appeared to have gone AWOL with another young employee, a boy, whom she had taken to Bristol and Box over a period of about four days. Was this just an attempt to run away? There was no criminal intent by poor Mary; it was so obvious that she was unhappy.
The following year, Mary was accused of stealing items of clothing in both Swindon and Marlborough, these offences were swiftly followed by two offences of burglary.
By the age of 16, Mary was breaking into dwelling houses and stealing jewellery. Her previous convictions of theft had seen her do hard labour, in those days this would have meant supervised physical work outside the prison walls. This new conviction gave her a custodial sentence with which hard labour was included. Mary was incarcerated in Devizes Bridewell Prison, where there was a large, multi-person treadmill installed. This treadmill was driven by the prisoners for long sessions and the wardens could tighten the screws to make the treadmill harder to turn. Hence prison wardens being dubbed ‘screws’.
This year is one of commemorations, significant anniversaries and celebrations. Many people will have celebrated the Queen’s 90th birthday but last month it was the monarch who was leading the birthday celebrations for another long-lived institution – the Royal Artillery which marked its 300th anniversary on 26 May with a royal visit, parade and displays at Larkhill.
A rather more sombre commemoration this year will be the 100th anniversary of the Battle of the Somme – a battle that dominates Britain’s collective memory of the First World War in the same way the Battle of Verdun occupies French history or Gallipoli tends to define Australian and New Zealand participation in the Great War. All these landmark events have come together as I work my way through a single archive – a treasure-trove of sketchbooks, diaries, letters and photographs that belonged to Hetman Jack Parham.
Jack Parham was born on 27 July, 1895 at Norrington near Alvediston in Wiltshire. He was raised on the family farm, educated at Sherborne School, and pursued a long and successful career in the Army. He retired a Major General and went to live in Suffolk – at Hintlesham near Ipswich – where he died in 1974. He lived the Royal Artillery’s Latin motto – Ubique – Everywhere.
I never knew the man. I was eight when he died and it would be another 22 years before I found myself living and working in Ipswich and sailing the River Orwell just as Jack, a keen sailor, had done.
But that is the beauty of archives – I have been able to get to know something of Jack’s remarkable story. This collection of drawings, photos and letters has taken me on an amazing journey through the early years of manned flight and Jack’s passion for aeroplanes; transported me to the battlefields of the First World War; and given me a brief insight into the thoughts of a senior military commander on D-Day 1944.
That journey began 13 months ago with a single sketchbook that had been identified by a researcher back in 2013/14 among a whole host of First World War resources. When I joined the History Centre in May 2015 I embarked on a number of centenary projects and was directed to the ‘Parham sketchbook’ from 1915-17 as a great resource. And what a resource.
Young people involved in the Dancing Back to 1914 project visited the History Centre to gain an understanding of Wiltshire 100 years ago. They were captivated by the detailed sketches that somehow closed the yawning chasm of the century separating them from the young men and women who experienced the Great War.
I was just as fascinated. Each sketch had been annotated at the time of drawing, while further notes were added (by Jack) at a later date to clarify a location or situation. I wanted to know more and periodically have been able to dip back into the Parham archive. Opening up each box has offered up something new and amazing.